Barbarian (2022) – Review/ Summary (with Spoilers)
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
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“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
“Who Invited Them” reminds you of the dangers of having a house party where anyone could step into the place you call home.
As long as you start “The Harbinger” recognizing it is an indie movie, not a big-budget production, you can forgive its flaws and enjoy what is given.
“Under Her Control,” aka “Le jefa,” is a rather dry film for most of the duration until it finally gets interesting in the latter half of the film.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
In “Jane,” we’re reminded of the desperation high school seniors have to get into the right school, get the right job and have the lives they desire.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
In “The Immaculate Room,” a couple is challenged with being together in a room for 50 days with no distractions, and it unfortunately is as boring as it sounds – but it didn’t have to be.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
Netflix’s reigning softcore porn franchise returns with a new entry focusing more on Laura than the men she loves and lusts after.
“Look Both Ways” reminds you that what is meant for you will happen, whether you have a child or not.
“Beast” is an unbelievable action film that presents a meager attempt at an emotional father/daughter relationship.
Insecurities and vying for a married man lead a young woman on a journey of sexual exploration.
“Baby Assassins” has the vibe of a zany anime that got a live-action adaptation and kept the eccentricities of its cast.
While “Learn To Swim” may give you faint nostalgia for “Love Jones,” the music keeps you far more than the relationship drama.
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.
“Fall” will make your anxiety skyrocket and create moments when you will suspend disbelief and hold your breath as you question whether the leads will live or die.
“Mack and Rita” reverses the de-age trope and shows getting older is a blessing and underrated privilege.
When “Easter Sunday” strips away the fat and focuses just on the complicated dynamics families can have, it becomes a pleasure to watch.
Amber Midthunder commands this “Predator” prequel that may lack notable characters beyond hers but provides the kind of violence expected.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
“Bullet Train” reminds you not only of Brad Pitt’s star power but also how action at its best is done in close quarters.
“Don’t Blame Karma” is comical at times, but the romance it wishes to explore and the drama which creates the comedy and complicates the romance is disappointing.
In “Shaka Inkosi Yamakhosi” you’re given an overview of who the great Shaka Zulu was.
In this military drama romance, two people who live on opposites sides of the political spectrum find love while in a state of desperation.
With the star power of Angourie Rice, “Honor Society” becomes far more than a tale about a malicious overachiever trying to get the hell out of her small town.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
In this dramedy, an act of revenge becomes a lucrative business that may not test friendships but does lead to unexpected consequences.
“The Wheel” questions whether love can heal someone with unresolved trauma who may not know what they have until they are about to lose them?
“Anything’s Possible” is a cute love story that knows to get specific about its lead’s experience when it matters.
Unlike his past movies, Jordan Peele’s “Nope” doesn’t seek to be too deep or inspire a litany of online think pieces. It’s just a decent alien movie.
Two socially awkward people, tasked with figuring the other out, hope the relationship they build is real and they are far more than a mark.
In this story of teenage brotherhood, five boys band together as they struggle with cancer, an ill parent, and smaller stuff like crushes and failing grades.
While Mrs. Harris has all the charm in the world, unfortunately, dry supporting characters are too much to compensate for.
“Where The Crawdads Sing” is an engrossing drama that doesn’t go for big grandeur moments but a series of satisfying ones throughout its two hours.
A veteran soldier, imprisoned after his deadly rebellion, finds the opportunity for a new life thanks to saving a little girl who thinks the world of him.
“Thor: Love and Thunder” takes the MCU into the romantic comedy genre, while still delivering its obligatory action/adventure moments.
While it won’t become a definitive Juneteenth movie, “Block Party” makes for a wonderful family dramedy with Juneteenth acting as a featured part.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.