Wildflower (2023) – Review/ Summary (with Spoilers)
“Wildflower” brings us one of the most touching stories about families needing to learn to trust they did enough and their kin can make it on their own.
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“Wildflower” brings us one of the most touching stories about families needing to learn to trust they did enough and their kin can make it on their own.
Intense in every which way the word can be used, “A Brush of Violence” hits hard, doesn’t overstay its welcome, and leaves you wondering what Daniel Lawrence Wilson may produce next.
While sometimes the cursing feels like an unnecessary crutch to heighten the drama, “A Good Person” will pull on your heartstrings and make it clear why Florence Pugh is considered a top talent.
Coach Marcus ordered by a judge to coach a team of disabled athetes for 90 days gets more than he bargained for in this heartfelt comedy.
In “John Wick: Chapter 4,” the sheer relentless craft in action will amaze you, exhaust you, then amaze you again.
“Dungeons & Dragons: Honor Among Thieves” delivers the kind of fun and funny, action/adventure that, hopefully, they don’t milk into a franchise.
Margot Richardson can’t escape nightmarish visions of her facially deformed sister murdered by her father long ago. She desperately struggles to find meaning by returning to her abandoned childhood home.
Shazam! Fury of the Gods returns as a sequel with the super hero family battling a wicked trio of twisted sisters complete with a dragon and monsters wreaking havoc on Philadelphia.
65’s serious tone stifles a fun premise of Adam Driver fighting dinosaurs.
A seasoned Lifetime movie if I had ever seen one would go something like this. A deadly affair that leads to the ultimate loss of possible interrelational development— and a baby.
Chang Can Dunk is an impressive debut by Jingyi Shao that shakes up the familiar underdog sports story.
With themes of bullying, death, assault, and more, “Lonely Castle in the Mirro” is an immensely emotional experience.
RRR is an epic adventure tale showcasing the power of resilience, friendship, and Indian cinema.
“The Magic Flute” is the kind of movie adaptation that will make you wonder, if the film is this good, would seeing it live be just the same or better?
“Scream 6” is entertaining, but its existence feels more about the last film being profitable more than this franchise still having something to say.
With thrills and actors who more than deserve your attention, “Unseen” is a horror/ thriller that will make you glad that it isn’t platform exclusive.
The Last Wish adds emotional depth in a blast of color and fun antics throughout the film.
Makoto Shinkai continues his streak of visually stunning and emotionally impactful anime with “Suzume.”
“Children of the Corn” feels like the kind of release done so a studio can hold onto the license.
While Aubrey Plaza sometimes seems out of place, especially when paired with Jason Statham, Hugh Grant immensely compensates.
Beyond airing out his feelings about Will Smith, Chris Rock reminds you why he is one of the most revered comedians in comedy.
It has long been said that men fight through what they feel, especially towards each other, and in “Creed III,” we see that in real-time as two brothers fight through shared pain and trauma.
For those who love stalker movies featuring a light-skinned man who has lost his mind, “Best Friend” will scratch that itch.
“Cocaine Bear” meets the expectations of madness you’d expect it to have.
“The Strays” is a weird film that could have been about more, but in its pursuit of sensationalism, any points about society that could be made are lost.
In this “Did he or didn’t he” film, a social media influencer falls for a young man who may have killed his teacher, but the evidence is slim against him.
“Winnie The Pooh: Blood and Honey” feels like a throwback to when slasher movies began, and the goal was to freak out the audience with intense visuals.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
“Somebody I Used To Know” may have a wonderful “Community” reunion and unexpected friendship worth investing in, but it doesn’t offer much beyond that.
“Your Place Or Mine” shows the beauty of a relationship being built on friendship, even if the friendship exists due to cowardice.
In the kind of girls’ trip you didn’t know you needed, “80 For Brady” shows how sports aren’t just about the big win but the communities they create.
“Knock At The Cabin” is another M. Night Shyamalan film where the trailer may have sold you, but the movie lacks payoff.
Mo’Nique’s first joint venture with Lee Daniels since reconciling has her getting beaten and bruised and then coming off like a crazed psychopath.
If you ever wondered what a woman may think when dating a man, both the positive and negative, “Cat Person” is here to illuminate you.
In this quiet southern drama, a family scandal is complicated by the information revealed on a daily basis.
Coming of age in a religious setting is hard, for what coastal cities may see as natural impulses, a conservative community in the Midwest would call those sin.
Emma Roberts and Luke Bracey act as Trojan horses for a movie about love, companionship, and marriage after 60.
If Teyana Taylor is going to give up on her music career, the gift of her performance in “A Thousand And One” makes up for it.
“Shortcomings” desires to push back against the spectacle of representation as it dives into the day-to-day conversations of an unlikable lead.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.