Look Both Ways (2022) – Review/ Summary (with Spoilers)
“Look Both Ways” reminds you that what is meant for you will happen, whether you have a child or not.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
“Look Both Ways” reminds you that what is meant for you will happen, whether you have a child or not.
“Beast” is an unbelievable action film that presents a meager attempt at an emotional father/daughter relationship.
Insecurities and vying for a married man lead a young woman on a journey of sexual exploration.
“Baby Assassins” has the vibe of a zany anime that got a live-action adaptation and kept the eccentricities of its cast.
While “Learn To Swim” may give you faint nostalgia for “Love Jones,” the music keeps you far more than the relationship drama.
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.
“Fall” will make your anxiety skyrocket and create moments when you will suspend disbelief and hold your breath as you question whether the leads will live or die.
“Mack and Rita” reverses the de-age trope and shows getting older is a blessing and underrated privilege.
When “Easter Sunday” strips away the fat and focuses just on the complicated dynamics families can have, it becomes a pleasure to watch.
Amber Midthunder commands this “Predator” prequel that may lack notable characters beyond hers but provides the kind of violence expected.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
“Bullet Train” reminds you not only of Brad Pitt’s star power but also how action at its best is done in close quarters.
“Don’t Blame Karma” is comical at times, but the romance it wishes to explore and the drama which creates the comedy and complicates the romance is disappointing.
In “Shaka Inkosi Yamakhosi” you’re given an overview of who the great Shaka Zulu was.
In this military drama romance, two people who live on opposites sides of the political spectrum find love while in a state of desperation.
With the star power of Angourie Rice, “Honor Society” becomes far more than a tale about a malicious overachiever trying to get the hell out of her small town.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
In this dramedy, an act of revenge becomes a lucrative business that may not test friendships but does lead to unexpected consequences.
“The Wheel” questions whether love can heal someone with unresolved trauma who may not know what they have until they are about to lose them?
“Anything’s Possible” is a cute love story that knows to get specific about its lead’s experience when it matters.
Unlike his past movies, Jordan Peele’s “Nope” doesn’t seek to be too deep or inspire a litany of online think pieces. It’s just a decent alien movie.
Two socially awkward people, tasked with figuring the other out, hope the relationship they build is real and they are far more than a mark.
In this story of teenage brotherhood, five boys band together as they struggle with cancer, an ill parent, and smaller stuff like crushes and failing grades.
While Mrs. Harris has all the charm in the world, unfortunately, dry supporting characters are too much to compensate for.
“Where The Crawdads Sing” is an engrossing drama that doesn’t go for big grandeur moments but a series of satisfying ones throughout its two hours.
A veteran soldier, imprisoned after his deadly rebellion, finds the opportunity for a new life thanks to saving a little girl who thinks the world of him.
“Thor: Love and Thunder” takes the MCU into the romantic comedy genre, while still delivering its obligatory action/adventure moments.
While it won’t become a definitive Juneteenth movie, “Block Party” makes for a wonderful family dramedy with Juneteenth acting as a featured part.
Thanks to her parents having a bad breakup and not living up to the high school sweethearts fantasy, a girl puts an endpoint on her high school romance, even if it could last forever.
In “The Lost Girls,” legendary literary figure Peter Pan is used as an entry point to talk about generational trauma, mental illness, and feeling disconnected from reality.
In this action-packed movie, a young princess (who isn’t given an actual name) takes her fate into her own hands, even if it means putting her kingdom at risk.
“Beauty” is heavily inspired by Whitney Houston’s story but by no means should be considered a “Dreamgirls” take on the legend’s life.
With one of the greatest women she has ever known passing, Ivy tries to figure out how to honor her grandmother’s legacy.
In this crime drama, an egg and pork chop are cops looking for justice since there is a murderer killing eggs by the dozen.
In this alternate take on what happened in the Garden of Eden, Lilith decides to illuminate Eve to the truth about Adam and who is the first woman.
In “Pete,” whether trans, non-binary, or simply Pete, we watch as a young kid and their mom pursue the joys of little league baseball.
“More Than I Remember” presents a less palatable version of why people immigrate, in animated form, but is no less a story to behold.
When your culture is commercialized and its history downplayed or erased, there are times you have to remind yourself and others that who you are isn’t for someone’s entertainment.
In a seemingly post-apocalyptic world, the surface has soldiers who may kill people, and shadows have monsters. Let’s see if this group can get to their destination alive.