Chang Can Dunk (2023) – Movie Review/ Summary
Chang Can Dunk is an impressive debut by Jingyi Shao that shakes up the familiar underdog sports story.
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Chang Can Dunk is an impressive debut by Jingyi Shao that shakes up the familiar underdog sports story.
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For those who love stalker movies featuring a light-skinned man who has lost his mind, “Best Friend” will scratch that itch.
“Cocaine Bear” meets the expectations of madness you’d expect it to have.
“The Strays” is a weird film that could have been about more, but in its pursuit of sensationalism, any points about society that could be made are lost.
In this “Did he or didn’t he” film, a social media influencer falls for a young man who may have killed his teacher, but the evidence is slim against him.
“Winnie The Pooh: Blood and Honey” feels like a throwback to when slasher movies began, and the goal was to freak out the audience with intense visuals.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
“Somebody I Used To Know” may have a wonderful “Community” reunion and unexpected friendship worth investing in, but it doesn’t offer much beyond that.
“Your Place Or Mine” shows the beauty of a relationship being built on friendship, even if the friendship exists due to cowardice.
In the kind of girls’ trip you didn’t know you needed, “80 For Brady” shows how sports aren’t just about the big win but the communities they create.
“Knock At The Cabin” is another M. Night Shyamalan film where the trailer may have sold you, but the movie lacks payoff.
Mo’Nique’s first joint venture with Lee Daniels since reconciling has her getting beaten and bruised and then coming off like a crazed psychopath.
If you ever wondered what a woman may think when dating a man, both the positive and negative, “Cat Person” is here to illuminate you.
In this quiet southern drama, a family scandal is complicated by the information revealed on a daily basis.
Coming of age in a religious setting is hard, for what coastal cities may see as natural impulses, a conservative community in the Midwest would call those sin.
Emma Roberts and Luke Bracey act as Trojan horses for a movie about love, companionship, and marriage after 60.
If Teyana Taylor is going to give up on her music career, the gift of her performance in “A Thousand And One” makes up for it.
“Shortcomings” desires to push back against the spectacle of representation as it dives into the day-to-day conversations of an unlikable lead.
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“Sometimes I Think About Dying” is a dry and awkward romance that sometimes has moments of sweetness but is often tiresome to watch.
“Mutt” is part of the new wave of LGBTIA+ media which moves beyond the coming out and trauma often associated with that, and explores that period of adjustment once the dust settles.
What starts as a cute love story set in the financial world becomes the type of film that will infuriate you and make you yell at the protagonist about what they need to do to win you back.
“Young. Wild. Free” is more than a cute but very chaotic love story. It also allows Sierra Capri to be the rare depiction of the chaotic, life-altering female lead thus far, almost exclusively played by White women.
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The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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