A Fox In The Night (2023) – Movie Review and Summary (with Spoilers)
“A Fox In The Night” seems like the beginning of an unexpected romance, and this is an extended trailer.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
“A Fox In The Night” seems like the beginning of an unexpected romance, and this is an extended trailer.
What better way to end 2023 Pride than a movie like “Nimona,” which reminds you how quickly hate spreads when powered by fear and the power behind being able to self-identify?
Work can often get in the way of romance, especially when survival is more paramount than quality time.
“Fairytales” is an exception to what you usually get when you see a young person in that it isn’t a coming-of-age tale or a sterile children’s story, but what it is like to be a kid.
With the type of animation which pushes you to think something nefarious could happen, “Witchfairy” sets you up for one thing but pleasantly gives you another.
Presenting multiple examples of advocating for others and yourself, “Restless Is The Night” is both cautionary and a call to action.
“Corvine” reminds you how much the support of parents matters when you are a little kid.
From Psycho’s Norman Bates to Marvel’s Thanos, villains can be sympathetic, horrific, funny, or characters the audience loves to hate. Here are 10 villains that deserve their own movie.
While many horror films have drama elements, “Run Rabbit Run” flips things and is a drama with horror elements that doesn’t necessarily do much beyond give us a creepy child.
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“Blood” takes a different approach than many when it comes to questioning or bringing up a cultural faux pas.
“Sheroes” is the generic yet less entertaining version of Spring Breakers, with more guns and less sense. If I could walk out of this movie, I would.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
“Daddy Issues” is a reminder of the awkwardness which can come the final stages of coming-of-age.
“The Mecca of Comedy” is an intriguing look into the DC comedy scene, but it could use another edit and more comedy.
While tediously as long as its predecessor, “Through My Window: Across The Sea” still works well as “365 Days” young adult counterpart.
“Boca Chica” is a gorgeous, painful, yet sobering look at the lies families tell themselves in order to survive.
Tragic and graphic, “The Angry Girl and Her Monster” causes the kind of combative feelings that make it something you have to experience for yourself.
A disturbing, cinematic journey, offering a thought-provoking exploration of toxic relationships, and resilience, alongside cultural and personal patterns.
“Blood for Dust” is a moody film that examines upwards mobility in America, yet the movie struggles to give you a reason to care for its protagonist.
Alongside being visually stunning, almost AAA video game quality at times, “Deep Sea” is an emotional experience, especially as it enters its third act.
“Surrounded” is a terrific and brutal showcase for Letitia Wright and Jamie Bell with gorgeous scenery in this Western.
“Love To Love You, Donna Summer” is extensive but underwhelming.
“Let the Canary Sing” is an intimate portrayal of struggle and joy for Cyndi Lauper’s voice and activism.
In “I.S.S.,” it appears Ariana DeBose plans to actively avoid the usual Oscar slump a lot of people, especially people of color, experience via a sci-fi drama where there is a nuclear war and a battle for the International Space Station.
“The Line” is a wonderful showcase for Austin Abrams’ talent as it wastes both Halle Bailey and Angus Cloud.
David Gelb and Disney’s “Stan Lee” is a sweet yet flawed and watered-down documentary about the Marvel creator’s life that becomes more interested in the superheroes rather than Lee himself.
“Sublime” delivers a slice-of-life story, and performances that gives perhaps the most tame LGBT story you may have ever watched.
Jennifer Lawrence plays what feels like an embellished version of her public persona in a pleasant film that seems like it should have been released on Hulu.
“Dead Girls Dancing” feels aimless as you await the story to pick up and make clear what we’re building up to.
“The Perfect Find” makes a decent romantic comedy once it moves past its ageism and misogynoir jokes.
Alongside delivering the expected laughs, “Joy Ride” is an emotional story about culture, identity, and how friends can reaffirm who you are.
“Suitable Flesh” may lack an explanation regarding what is happening, but you’ll be so locked in you may forget your questions until after the movie is over.
Mary Herron and John C. Walsh’s “Dalíland” portrays the life of one of art’s most celebrated and inspiring figures with a tame and uninspiring story.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
Tracee Ellis Ross continues to push beyond her comedy empire with the kind of role which deserves to be in awards contentions.
“The Listener,” focused on a peer crisis hotline worker, is a stirring, frustrating, and potentially tear-inducing film.
“The Secret Kingdom” is a fantasy story for the family with unique visuals and character designs. Yet you’ll feel like you’ve seen this story before.
Starring only two people, “You Will Never Find Me” is a masterful depiction of building up to something bizarre and making every moment worth it.
“The Graduates,” thankfully avoids showing a school shooting, but what’s left leaves you wanting more.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.