Cherry (2021) – Review/Summary (with Spoilers)
While Cherry is too damn long, Tom Holland, and especially Ciara Bravo, present the most beautiful, f***ed up love story you might watch for a while.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
While Cherry is too damn long, Tom Holland, and especially Ciara Bravo, present the most beautiful, f***ed up love story you might watch for a while.
Come True is one of those polarizing art house films that have this special something about it, but it can easily be lost if you get distracted.
In this “Did they or didn’t they” movie, Trust pushes you to wonder who is a liar and whether the circumstances absolve one from the result?
Coming 2 America has its moments, but as it hints itself, like many sequels, it was unnecessary.
Chaos Walking doesn’t necessarily utilize Daisy Ridley to its best, but Tom Holland, Mads Mikkelsen, and David Oyelowo compensate for that.
The Map of Tiny Perfect Things is an imperfect romance film, which takes almost an hour to differentiate itself and keep you from growing tired of the film’s loop.
Mayday touches on the personal war one has within themselves and every single voice or person we see as holding us back – including our own.
The Little Things is a tame cop drama in which the sole interesting thing might be Jared Leto getting to play a manipulative suspect.
Living up to its title a bit, You Wouldn’t Understand presents a story that leaves you wanting to rewatch for you swear you might have missed something.
Stanley buries the lead with sex and ends before you feel it gets to the good part.
A man with a secret finds himself in the company of the other person who knows what he lusts for.
Despite The Marksman’s name and Liam Neeson starring, it is perhaps one of his least violent, most talkative movies yet.
Wonder Woman 1984 desires to sidestep what a lot of superhero movies do by focusing more on romance and reminding us the villains aren’t truly evil, they’re actually disenfranchised.
Monster Hunter is mostly action, very little plot, and very little character development.
While the longing looks and stolen moments will entice you, it’s hard to move past how Sylvie’s Love begins soiled.
Cooking Up Christmas gives you a nice family movie dealing with coming back together after loss, lies, and setbacks that closes people off from what and who they love.
Songbird ignores whether producing a COVID romance is inappropriate and doesn’t even deliver a good enough relationship to never mind its ill-taste.
While absolutely silly, A Christmas Surprise does deliver a fun, overtly dramatic Christmas story.
“All My Life” avoids any opportunity to develop its characters as it focuses on crafting an enviable romance.
While the performances and story are strong in Princess of the Row, there is just something about it that tarnishes the viewing experience.
Superintelligence follows the usual Melissa McCarthy movie formula, so as long as you’re a fan of hers, you’ll enjoy the film.
While there might be times Happiest Season may make you roll your eyes, its heart and certain characters keep you watching until the end.
The Princess Switch: Switched Again, like most holiday movies, is made solely for its audience and doesn’t offer a royal invitation to detractors.
Uncle Frank, thanks to Paul Bettany and Sophia Lillis, leaves a bit of a heavyweight on your shoulder that can only be relieved with tears.
Similar to Happy Death Day, you’ll find Freaky has an unexpectedly good blend of horror and comedy – though it won’t do for its leads as we saw for Jessica Rothe.
If you came to this film hoping for a Black version of Alice In Wonderland and Peter Pan, prep to be disappointed.
While a definite improvement over the first movie, True To The Game 2 will have you leave the theater a tad frustrated.
True To The Game feels like your standard fare gangster movie, with the only exception being who lives and dies.
“The Craft: Legacy” pushes you to feel it didn’t need its predecessor for anything besides name recognition.
For those who like unconventional holiday movies, in this case, with cursing and a dysfunctional family, “Holidate” was made for you.
Despite its subject matter, there is something surprisingly tame about “Gossamer Folds,” which shows how tolerance and acceptance develops over hate.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
Coming out isn’t always a delicate procedure, as shown in “Egghead & Twinkie.”
“2 Hearts,” at times, may feel like a TV movie that somehow made it to the big screen, but that doesn’t mean it won’t get you in your feelings.
“Walk Away From Love,” strangely, avoids some of the usual tropes you’d expect, but whether that makes it better or not? Well, read on.
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
For years “The War With Grandpa” has seen its release date changed so, does that mean it’s a bad film? Read on.
“Vampires vs. The Bronx” lovingly expands the horror genre, with its charming cast but misses key opportunities to leave a mark.
As with most of Adam Sandler’s Netflix releases, “Hubie Halloween” will be a welcome addition to Sandler’s fans, and all others will question why “” got cancelled and this funded?
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.