Love, Death + Robots: The Very Pulse of the Machine (2022) – Review/ Summary (with Spoilers)
Thanks to bad timing, two astronauts get stuck on one of Jupiter’s moons.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
Thanks to bad timing, two astronauts get stuck on one of Jupiter’s moons.
While, in some ways, A Perfect Pairing skirts around certain formulaic elements, in the end, it’s your usual safe and simple romance.
In this remake of Firestarter, you get what purely feels like an origin story left on a frustrating ellipsis to set up a sequel.
Doctor Strange in the Multiverse of Madness works as not only a sequel to Dr. Strange’s first movie but also a sequel to Wandavision.
Best described as coming-of-age body horror, Hatching is just as much about the monster as an independent thing as its connection to the lead.
Choose or Die is the kind of pseudo-horror that has a better story buried beneath what it gives you.
For nearly two hours, you are left with not only the mystery of who did what, but who will pay for the crime?
Moonshot is your run-of-the-mill, improbable romance that is fun to watch and easy to forget.
In this action/adventure comedy, Sandra Bullock finds someone new to play the fool to her straight man character, as she goes from novelist to adventurer.
While you must applaud Umma for being a mainstream movie that talks about various aspects of Korean culture, sadly, it is a lukewarm horror film.
In what sometimes feels like a series of intros and outros to various anime, we watch the musician ever perform as multiple interlacing stories about a one-eyed being are explored.
What might be sold as a sci-fi action-adventure, with Ryan Reynolds™ styled comedy, is really a tear-inducing family drama.
In this mystery, things twist and turn, and as our lead starts to figure things out, you question why is she confronting the person where she can be the next victim?
Once again, Batman has been rebooted but rather than waste time on Bruce’s origin story, it focuses on who you’re really here for – the villains.
Utilizing its small cast, No Exit is an often intense film to watch, which leaves you to wonder who may make it out alive.
Even if you didn’t watch Wu Assassin in 2019, you could easily pick up what Fistful of Vengeance wants you to get – a whole lot of stylized fight scenes.
While Help does make you raise an eyebrow about what’s going on, I wouldn’t say the ending gives you the payoff you desire.
Student Body is bloody, vulgar, and ridiculous. But whether or not it is in the best way? That’s hard to say.
Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.
Moonfall is a popcorn film full of dumb fun – the moon falls (and that’s not even the craziest part), things get spectacularly destroyed, and the US tries to nuke the moon (of course they do).
While Through My Window has your usual toxic, brooding, and handsome male lead, there is just enough given to the viewer to get past the trope.
An older man, who has somehow seduced a high schooler, takes advantage of cultural and religious customs and values to coerce a meeting.
A father and daughter bond while moving her out of a rather swanky apartment.
On the way to their dream, a rapper named Sammy finds their day job threatened thanks to someone with a fatty.
In this light horror short, a granddaughter finds herself facing her grandmother whose dying day was missed only by her.
Swallow The Universe is pure “What The F***” as it tells the story about a young person fighting off gods and animals who want their face.
What starts off as a comical mockumentary about a megachurch trying to make a comeback becomes a film that struggles to shift to a serious tone as it addresses what led to the downfall.
When not paired with action, drama, or being an adventure, sci-fi is a tough sell, and After Yang shows why.
At times confusing, but often disturbing, The Free Fall is a horror movie best watched at night and alone.
While the performances, choreography, and singing are top-notch, and many of the changes welcomed, the central relationship remains a struggle to sit through.
Cooper’s charm, and Blanchett’s mischievous persona, are used to offset an overload of foreshadowing and a second-half which makes you wish this movie wasn’t 2 ½ hours.
Two is a notably strange movie that, unfortunately, doesn’t end with a quality reveal.
It’s like Zoey’s Extraordinary Playlist didn’t end in this Christmas-themed movie – but that statement is for better and for worse.
Licorice Pizza uses every ounce of charm it can in an attempt to have you forget the lead characters have a 10+ year age difference, with one being a 15-year-old minor.
The end of the trilogy is an utter free for all as bullets fly, threats are issues, and you are left wondering who will actually be alive by the time the credits roll?
While A Holiday Chance may seem like a video on demand release rather than a theatrical one, this one is for you for those who like holiday family drama.
A Chestnut Family Christmas reminds you that if there is anyone you should feel safe to be vulnerable and honest around, it is family.
While Sing 2 still avoids making significant strides in developing its characters, there is no denying that it is a crowd-pleaser.
In this reboot of Resident Evil, all the familiar names from the video game are introduced in an origin story format.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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