Wish (2023) – Movie Review/Summary
“Wish” seems like it was made for Disney Plus as part of Disney’s 100th anniversary celebration, but someone had enough faith in it to garner a theatrical release.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
“Wish” seems like it was made for Disney Plus as part of Disney’s 100th anniversary celebration, but someone had enough faith in it to garner a theatrical release.
While “Share?” may lack answers some people may crave from a film like this, it feels like a “Black Mirror” inspired movie that undoubtedly is enjoyable.
Michael Farris Smith and the Phillips Brothers’ “Rumble Through the Dark” makes some bold choices in storytelling, but they don’t quite pay off.
While it does waste its lead’s personal story, it compensates with a cute romantic relationship as its centerpiece.
“It’s A Wonderful Knife” is a bit corny, undeniably bloody, but has a silver lining to it because of its supporting actors.
Christopher Zalla and Eugenio Derbez’s “Radical” is based on a true story, but it’s a story audiences have seen plenty of times.
Hulu’s “Quiz Lady” squanders the comedy talents of Sandra Oh and Awkwafina to deliver a movie meant to play in the background.
Netflix and Melanie Laurent’s “Wingwomen” is a fun but forgettable action-comedy that is light in drama and plot.
“What Happens Later” may feature the archetypes that made Meg Ryan and David Duchovny staples in the entertainment industry, but they lack the chemistry needed to make this film good.
In this revenge tale featuring voodoo, a nephew is tasked with executing their uncle’s revenge against their will.
Zeno Graton’s “The Lost Boys” is an LGBTQ+ drama that creates a lovely atmosphere within a juvenile hall, but you may wonder where exactly this story is headed.
“Fingernails” is a sluggish two hour movie which lacks a hook.
“Perfect Days” spends nearly an entire hour testing its viewers loyalty, and once it makes an effort to get interesting, it doesn’t compensate for lost time as some may wish it had.
“Something You Said Last Night” exists in the very tame depiction of LGBTQ+ issues, and as much as it makes clear that something is going on with the lead, it doesn’t dig deep in any form or fashion to get you interested.
“Night of the Hunted” is an intense shooter that may start to drag in the end, but with the life-or-death situation the lead goes through, you’ll be on edge for most of the film.
Jason Karman and Gorman Lee’s “Golden Delicious” is a fine coming-of-age story with a coming-out story we’ve seen all too often.
Chestnut,” with its lukewarm three-way romantic drama, is watchable but not must-see cinema.
“The Elderly” takes forever to get to the point, which may or may not be a play on who and what it focuses on.
As usual, a person with a mental illness ends up killing people, with the only difference in “Wake” being that person is a rapper.
Sean Price Williams and Nick Pinkteron’s “The Sweet East” is equally a fantastical road trip and giant trolling effort.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.