As Good As Dead (2022) – Review/ Summary (with Spoilers)
“As Good As Dead” is yet another movie which makes you question why Michael Jai White isn’t a bigger action movie star?
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
“As Good As Dead” is yet another movie which makes you question why Michael Jai White isn’t a bigger action movie star?
“Babylon” has wonderful lead characters with potentially engrossing storylines, but it feels so bloated, thanks to putting them together and being three hours long.
In this “Be careful what you wish for” movie, “A Miracle Before Christmas” delivers a movie that’s a bit rough but watchable.
“Darby and The Dead,” being yet another teen movie focused on the outcast who, with a makeover, becomes popular, sidesteps what could have made it interesting.
While the early part of “Rolling Into Christmas” is high quality, as relationship drama comes into play, things go downhill fast.
“Christmas With You,” like most Christmas movies, is just different enough to stand out thanks to embracing parts of Latin American culture.
“Bar Fight” is a simple comedy that, while not laugh-out-loud funny, is enjoyable for the most part.
While it doesn’t have the makings of a classic, you might be surprised how much you enjoy this likable but forgettable Christmas movie.
“Aftersun” is a dry, slice-of-life family movie that makes you wonder if you missed something of note while watching.
While there are times when the drama of Tess’ life makes this tedious to watch, by the end of “Dear Zoe,” you’ll nonetheless find yourself potentially in tears.
While you have to appreciate “Prey For The Devil” reminding you the history of exorcisms is rooted in the ignorance of psychology and medicine, that doesn’t make its desire to become a franchise any more appealing.
Being caught is always the worst nightmare but can it be different when you’re a girl and the person is of the same sex?
Male intimacy, and what western society is still adjusting to, makes “Close” a notable exploration of a loving friendship between two boys.
While the church is one way to meet people, what about meeting other men when you’re not sure of yourself?
“All I Ever Wanted” reminds you that sometimes, what you desire, has always been there.
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
“Lyle, Lyle Crocodile” knows what the heart of the film could be, yet it refuses to stick to it and thus becomes a forgettable movie hoping to cash in due to lack of competition.
It’s the start of horror movie season, and “Smile” is a good way to start your annual fix.
“On The Come Up” may have the characters and plot points, but like many book adaptations, it lacks the source material’s soul.
While many films romanticize having long-lasting friendships, “The Razing” reminds you of the trouble that comes from people knowing the worst about you.
“Goodbye, Don Glees!” is a coming-of-age story that takes longer than it should to hook you, but once it has you, you’re attentive.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“Who Invited Them” reminds you of the dangers of having a house party where anyone could step into the place you call home.
As long as you start “The Harbinger” recognizing it is an indie movie, not a big-budget production, you can forgive its flaws and enjoy what is given.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
In “Jane,” we’re reminded of the desperation high school seniors have to get into the right school, get the right job and have the lives they desire.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
In “The Immaculate Room,” a couple is challenged with being together in a room for 50 days with no distractions, and it unfortunately is as boring as it sounds – but it didn’t have to be.
Netflix’s reigning softcore porn franchise returns with a new entry focusing more on Laura than the men she loves and lusts after.
“Look Both Ways” reminds you that what is meant for you will happen, whether you have a child or not.
“Beast” is an unbelievable action film that presents a meager attempt at an emotional father/daughter relationship.
Insecurities and vying for a married man lead a young woman on a journey of sexual exploration.
“Baby Assassins” has the vibe of a zany anime that got a live-action adaptation and kept the eccentricities of its cast.
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.
“Fall” will make your anxiety skyrocket and create moments when you will suspend disbelief and hold your breath as you question whether the leads will live or die.
“Mack and Rita” reverses the de-age trope and shows getting older is a blessing and underrated privilege.
Amber Midthunder commands this “Predator” prequel that may lack notable characters beyond hers but provides the kind of violence expected.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
“Bullet Train” reminds you not only of Brad Pitt’s star power but also how action at its best is done in close quarters.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.