The Sunlit Night (2020) – Review/Summary (with Spoilers)
While Jenny Slate’s character finds herself a pleasant and relatable wakeup call, all that happens around her may lead to a raised eyebrow or indifference.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
While Jenny Slate’s character finds herself a pleasant and relatable wakeup call, all that happens around her may lead to a raised eyebrow or indifference.
As with most Seth Rogen movies, it’s not about the comedy as much as a person challenging themselves and dealing with what is holding them back.
“Almost Love” is good enough to get you invested into the characters, but not to the point of pushing everyone you know to see it.
While it’s two hour time length makes it lag in some parts, by the end of “The Kissing Booth 2,” you are left wondering when is the next one?
Thanks to a series of rather strange events, “Liza, Liza, Skies are Grey” loses its chance to be a cute teen romance.
“A Nice Girl Like You” is a simple, likable rom-com that may not have the most memorable characters, but it’s a fun time to spend an hour and half.
While a breeze to watch and with good chemistry from its leads, laughs are few with “Palm Springs.”
“Only” is a sci-fi drama, with a small cast, that is less about entertaining its audience and more about trying to use the sci-fi element for a bait and switch.
“10 Things We Should Do Before We Break Up” is an odd romantic drama in which a woman mulls an abortion or turning a one night stand into a lifetime commitment.
“Under the Riccione Sun” will remind you what many may miss thanks to COVID-19, but it gives you the chance to live vicariously.
“Looks That Kill” makes for a lukewarm dark comedy, but has a romance that makes it worth viewing.
Unfortunately, it takes “The King of Staten Island” almost an hour, out of 2, to be all that you expected and hoped it would be.
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
While “The Healer” isn’t made to withstand scrutiny, it is an entertaining film to watch while in quarantine.
“#FriendButMarried” is a long, arduous movie to watch, that somehow drains anything and everything cute out of its central relationship.
Issa Rae and Kumail Nanjiani are well paired in “The Lovebird” as their brands of awkward collide and create a chaotic romance.
“All For Nikki,” as it goes from one bad situation to the next, goes on and on until it seemingly runs out of ideas.
How much you may enjoy this movie all depends on whether you like outrageous characters who don’t limit themselves for the comfort of others.
Between flinch worthy violence, Terry Crews and Ken Foree, alongside a handful of jokes, there is more good to say about “John Henry” than bad.
Um, “Love Is Blind,” the movie not the TV show, is mid-level “What did I just watch?” Specifically in a, “Am I supposed to find this funny?” kind of way.
“Valley Girl” is a fun teen movie with 80s flair, music, and a simple, but likable, romance – ruined by bland characters.
“Into The Dark: Delivered” is frustrating as hell to watch, but can be a good time if you know someone who provides funny movie commentary.
Twist, turns, backstabbings, gunshots and more, all allow “Dangerous Lies” to not be the best film out there, but entertaining.
Thanks to savvy lawyers, justice has become ambiguous compared to how it used to be. However, someone decides enough is enough, and some people should die.
“Selah and the Spades” begs for a revival as a series as it tries to cram so much into one experience.
For those who have watched the first season of “Fleabag,” the live rendition is a treat. However, if they haven’t, you may wonder what the hype is about.
Operating on a level of cringe that will make it either hilarious or off=putting, “Love Wedding Repeat” surely isn’t for everyone.
“Coffee and Kareem” is definitely something mad for those who don’t mind kids cursing or being part of, or around, violent, and sexual, situations for laughs.
“Freshman Year” avoids being heavy-handed or eye-roll-inducing about faith. Rather, it approaches a young man’s faith, and decisions, with a realistic tone.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
“Pretty Little Stalker” will keep you engaged throughout its time length, but I can’t say it should be high up on your watchlist.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
Like the majority of Vin Diesel movies, “Bloodshot” is more so about style than substance. Yet, is still entertaining as hell.
Between seemingly exploiting its lead having Asperger’s to an uninspiring mystery, “The Night Clerk” struggles.
“Into The Dark: My Valentine” seems like it is inspired by the life of internet/music stars Poppy, Titanic Sinclair, and Mars Argo.
“Gretel and Hansel” is a strange PG-13 horror that may have wonderful performances, but also has a divisive story.
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
While you have to appreciate the sense of ownership, value, and advocacy “Jezebel” presents when it comes to Black bodies, it’s not the most entertaining thing to watch.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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