Judy (2019) – Summary, Review (with Spoilers)
While Judy is a drag, due to you seeing the icon within months of her untimely demise, Zellweger and Shaw help you understand how difficult life was for Ms. Garland.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
While Judy is a drag, due to you seeing the icon within months of her untimely demise, Zellweger and Shaw help you understand how difficult life was for Ms. Garland.
In the Shadow of the Moon is written more to be the start of a series than a singular movie – and it shows through its characters.
Under the Eiffel Tower has the chemistry needed to become invested in the needs, but the story presents too many obstacles just to enjoy two people falling in love.
While the story of Rambo: Last Blood is weak and may cause think pieces, you may find the violence more than compensates.
Despite Polaroid’s original US premiere being cancelled, and its release, stateside, being in limbo ever since, it’s a bit hard to fathom why.
Clive Davis: The Soundtrack of Our Lives hones in so much on the highlights of Davis’ career that it feels like a lifetime achievement award presentation.
I Am Wrath feels like a watered-down Liam Neeson movie that lacks complexity, urgency or gives you any reason to feel attached.
Riot Girls may sometimes feel more like a concept film than a completed vision, but it lays enough of a foundation to be enjoyable.
Tall Girl’s message gets lost due to the pursuit of validating its lead through the affections of a boy.
While The Weekend presents a unique character in Sasheer Zamata’s Zadie, you may struggle to connect with her, or the film as a whole.
The Goldfinch, while definitely longer than it needed to be, is far more enjoyable than some may say.
3 Days With Dad may not be the gut punch you’d expect from a film about a dying father, but it makes for a decent coming of age tale – for a grown man.
K-12 takes the example of what a visual album should be up a notch by producing a musical which makes the visuals and music inseparable.
While IT: Chapter 2 delivers on jump scares, and Bill Hader with one-liners, the adult cast underwhelm when compared to their younger counterparts.
Seaside is dull, borderline frustrating, until the halfway point and then you are just trying to piece together the bombs dropped.
Tod@s Caen, while long as hell, has a certain charm, and comedic take on courtship, which will keep you from checking your watch.
Simple, likable, a quick and easy watch. That’s the only way to explain Falling Inn Love.
A woman who, after a one night stand, is obsessed with the guy who has moved on from her and she feels slighted. Sound familiar?
Jacob’s Ladder has performances which make you feel there should have been more to this film than what was delivered.
While, like many Filipino movies which makes it stateside, The Girl Allergic To Wi-fi is a bit cheesy, there is no denying the cute relationship and that it’ll make you cry.
Sextuplets is made strictly for fans of the comedic style Marlon Wayans has had since the 90s. Which is in desperate need of an update.
In Woodstock Or Bust, you get a film which teeters from being carefree, sometimes juvenile, to tapping into the darkness of the Northwest in 1969.
Into The Dark: School Spirit is a perfect SVoD release for it’s not good enough for theaters, or to pay for on its own.
While the twist, and what comes after, in Running Out Of Time may leave you a little divisive, I’d submit Stokes and Houston are becoming better storytellers.
Lying and Stealing is a quick film which may not leave a lasting impact but is a pleasant way to kill an hour and a half.
In Batman’s latest adventure, he flirts with the idea of normalcy as a new villain threatens to use his rogue gallery, allies even, against him.
We Belong Together, like most “That woman is crazy!” films, doesn’t make said woman a complicated figure but more so a generic replica of what you’re already familiar with.
As long as you are looking for a bunch of jump scares and an exhibition of human endurance, when the adrenaline is pumping, you’ll love Crawl.
Point Blank somehow has car chases, bullets, and corrupt cops yet doesn’t present much of a thrill despite all that.
Black & Privileged: Volume 1, may have some campy performances, but it’s message outweighs what may make you divisive.
Made In Malta shows why closure is so difficult to obtain and perhaps is best left to fiction and dreams.
Silent Panic may feel a bit like a bait and switch, but that doesn’t mean you won’t come to enjoy what you’re ultimately given.
While many of the stories end at their peak, lack closure, and barely feel about Berlin, Berlin, I Love You, still reminds you why this long-running series continues.
Yesterday harnesses the nostalgia which comes from listening to The Beatles to deliver a rather awkward, if not one-sided and uncomfortable love story.
While it has a bit of a rough patch an hour in, for the most part, Adolescence is a touching drama with a good amount of heart.
Anna, while above your generic Russian spy movie, seems like a direct to VoD release that somehow ended up in theaters.
Beats is the kind of film which has a good central story, but the bankable star gets in the way of said story shining as it could and should.
While a bit slow, and definitely having a strong indie vibe, Fast Colors eventually hooks you into its supernatural story.
With Alex Lawther’s charm not fully engaged, Old Boys makes it difficult to invest in his character, or any others, and becomes draining.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.