Tall Girl (2019) – Summary, Review (with Spoilers)
Tall Girl’s message gets lost due to the pursuit of validating its lead through the affections of a boy.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
Tall Girl’s message gets lost due to the pursuit of validating its lead through the affections of a boy.
While The Weekend presents a unique character in Sasheer Zamata’s Zadie, you may struggle to connect with her, or the film as a whole.
The Goldfinch, while definitely longer than it needed to be, is far more enjoyable than some may say.
3 Days With Dad may not be the gut punch you’d expect from a film about a dying father, but it makes for a decent coming of age tale – for a grown man.
K-12 takes the example of what a visual album should be up a notch by producing a musical which makes the visuals and music inseparable.
While IT: Chapter 2 delivers on jump scares, and Bill Hader with one-liners, the adult cast underwhelm when compared to their younger counterparts.
Seaside is dull, borderline frustrating, until the halfway point and then you are just trying to piece together the bombs dropped.
Tod@s Caen, while long as hell, has a certain charm, and comedic take on courtship, which will keep you from checking your watch.
Simple, likable, a quick and easy watch. That’s the only way to explain Falling Inn Love.
A woman who, after a one night stand, is obsessed with the guy who has moved on from her and she feels slighted. Sound familiar?
Jacob’s Ladder has performances which make you feel there should have been more to this film than what was delivered.
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Sextuplets is made strictly for fans of the comedic style Marlon Wayans has had since the 90s. Which is in desperate need of an update.
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As long as you are looking for a bunch of jump scares and an exhibition of human endurance, when the adrenaline is pumping, you’ll love Crawl.
Point Blank somehow has car chases, bullets, and corrupt cops yet doesn’t present much of a thrill despite all that.
Black & Privileged: Volume 1, may have some campy performances, but it’s message outweighs what may make you divisive.
Made In Malta shows why closure is so difficult to obtain and perhaps is best left to fiction and dreams.
Silent Panic may feel a bit like a bait and switch, but that doesn’t mean you won’t come to enjoy what you’re ultimately given.
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Yesterday harnesses the nostalgia which comes from listening to The Beatles to deliver a rather awkward, if not one-sided and uncomfortable love story.
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Anna, while above your generic Russian spy movie, seems like a direct to VoD release that somehow ended up in theaters.
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Oh, Ramona! has a mini-series vibe which makes the movie, while enjoyable, feel long.
Always Be My Maybe is definitely longer than it should be, but that doesn’t take away from the light comedy, cute romance, and moments which may make you tear up.
Ma definitely pushes the idea we need more Black horror villains, but ones with villains who have better, or a less inundated, backstory.
Late Night attempts to address ageism, racism, and sexism, while still being funny, and throwing in a bit of romance, and buckles under such lofty goals.
Over time, you think you build up a tolerance for messed up movies and yet The Perfection will still leave your mouth gaping open.
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The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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