X-Men: Dark Phoenix (2019) – Summary, Review (with Spoilers)
While it lacks the emotional oomph it should, X-Men: Dark Phoenix attempts to compensate that with quality action scenes and VFX.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
While it lacks the emotional oomph it should, X-Men: Dark Phoenix attempts to compensate that with quality action scenes and VFX.
First Impression is a bargain bin movie which is corny, may not have the best plot but is nonetheless enjoyable.
Oh, Ramona! has a mini-series vibe which makes the movie, while enjoyable, feel long.
Always Be My Maybe is definitely longer than it should be, but that doesn’t take away from the light comedy, cute romance, and moments which may make you tear up.
Ma definitely pushes the idea we need more Black horror villains, but ones with villains who have better, or a less inundated, backstory.
Late Night attempts to address ageism, racism, and sexism, while still being funny, and throwing in a bit of romance, and buckles under such lofty goals.
Over time, you think you build up a tolerance for messed up movies and yet The Perfection will still leave your mouth gaping open.
While an absurd comedy, Loners contains just enough heart, and twists, to see you through until the end.
Rocketman is like a stage musical turned movie, and if it wasn’t so long and arduous, it could be perfect for both die-hard and casual Elton John fans.
Compared to the book, the film version of The Sun Is Also A Star loses what made Natasha such a great character and, plainly, is a disappointing adaptation.
Good Sam is breezy, likable, avoids any controversial topics, and focuses on an ambitious young reporter trying to find if good people still exist.
Life Like may leave you with a handful of questions, but one character named Henry brings enough intrigue to forget every moment which makes you raise an eyebrow.
Amy Poehler takes a page out of Adam Sandler’s book and has a vacation with her SNL friends, paid for by someone else and made just for her audience.
While comical at times, Rebel Wilson’s style and Anne Hathaway’s, when it comes to comedy, more so clashes than compliments one another.
Extremely Wicked, Shockingly Evil, and Vile maybe words to describe Ted Bundy, but what you mostly get is his charming side – until the end.
Clementine, with its score and sometimes eerie characters strings you along to what might be an unsatisfying finish.
In a strange twist, Rogen ups his game to what you’d expect from Theron, and while he maintains his comedic style, he also veers towards being a more serious actor.
While The Intruder doesn’t seem like your yearly dose of generic Black thriller, that doesn’t mean it is necessarily good.
Lost Transmissions shows the line between proving yourself as a storyteller doesn’t always coincide with delivering the intended message.
Thriller works better as a comedy than anything remotely close to a horror, and as long as you come in knowing that you should be fine.
While you can see each actor giving it their all, there is a bit of a disconnect which may not allow you to get as emotional as they get.
Led by Giancarlo Esposito, the emotional, sometimes comical, Stuck shows what happens when people are forced to interact in a small space.
Remember how lucky/prepared the families were in Bird Box & A Quiet Place? Imagine a family who wasn’t as fortunate going through a similar apocalypse.
Native Son is the type of movie which will have you questioning its lead’s common sense throughout the whole damn movie.
Us, at first, circumvents a lot of what you expect from a horror/thriller. However, after a while, it overstays it’s welcome and its ending? Well…
While Burn Out has exhilarating races, which may give you a tad bit of anxiety, everything else is very run of the mill.
Sucker of Souls is quite gory and a tad bit comical. However, it is towards the bottom of the Love, Death & Robots ranking.
In The Witness, we get what feels like a pitch to a much more complicated movie.
Three Robots is a quirky short which ends just before it could perhaps go left and overstay its welcome.
Captain Marvel nods towards being the first female-led Marvel movie, but other than that, it’s what fans of the MCU are long used to for better and worse.
The Hard Way pushes you to wonder why Michael J. White isn’t an action star with decent budget movies, beyond Spawn, in his filmography?
Despite being a horror movie which had no marketing, and seems cheesy, Haunting on Fraternity Row is surprisingly good.
Stray is a semi-low budget sci-fi film which focuses more on the cop seeking to redeem herself than the powerful girl, and her family.
Level 16 could be used to talk about feminism and autonomy, but from an entertainment perspective? It’s a bit of a bore.
Madea’s final bow may be a slight disappointment, but the laughs will remind you of why you fell in love with the character.
The Changeover is a simple, slightly grim tale which may lack flair, but does leave you wanting more.
Alone/Together is a bit forgettable, but makes for a breezy watch, as most Philippines based romances do.
Isn’t It Romantic is not only comical but finds an appropriate way to address what it is like to be a woman who is plus sized without making her the joke.
Alita: Battle Angel may have stunning action and special effects, but it’s mostly for naught since the emotional element is very hit and miss.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.