Long Shot (2019) – Summary, Review (with Spoilers)
In a strange twist, Rogen ups his game to what you’d expect from Theron, and while he maintains his comedic style, he also veers towards being a more serious actor.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
In a strange twist, Rogen ups his game to what you’d expect from Theron, and while he maintains his comedic style, he also veers towards being a more serious actor.
While The Intruder doesn’t seem like your yearly dose of generic Black thriller, that doesn’t mean it is necessarily good.
Lost Transmissions shows the line between proving yourself as a storyteller doesn’t always coincide with delivering the intended message.
Thriller works better as a comedy than anything remotely close to a horror, and as long as you come in knowing that you should be fine.
While you can see each actor giving it their all, there is a bit of a disconnect which may not allow you to get as emotional as they get.
Led by Giancarlo Esposito, the emotional, sometimes comical, Stuck shows what happens when people are forced to interact in a small space.
Remember how lucky/prepared the families were in Bird Box & A Quiet Place? Imagine a family who wasn’t as fortunate going through a similar apocalypse.
Native Son is the type of movie which will have you questioning its lead’s common sense throughout the whole damn movie.
Us, at first, circumvents a lot of what you expect from a horror/thriller. However, after a while, it overstays it’s welcome and its ending? Well…
While Burn Out has exhilarating races, which may give you a tad bit of anxiety, everything else is very run of the mill.
Sucker of Souls is quite gory and a tad bit comical. However, it is towards the bottom of the Love, Death & Robots ranking.
In The Witness, we get what feels like a pitch to a much more complicated movie.
Three Robots is a quirky short which ends just before it could perhaps go left and overstay its welcome.
Captain Marvel nods towards being the first female-led Marvel movie, but other than that, it’s what fans of the MCU are long used to for better and worse.
The Hard Way pushes you to wonder why Michael J. White isn’t an action star with decent budget movies, beyond Spawn, in his filmography?
Despite being a horror movie which had no marketing, and seems cheesy, Haunting on Fraternity Row is surprisingly good.
Stray is a semi-low budget sci-fi film which focuses more on the cop seeking to redeem herself than the powerful girl, and her family.
Level 16 could be used to talk about feminism and autonomy, but from an entertainment perspective? It’s a bit of a bore.
Madea’s final bow may be a slight disappointment, but the laughs will remind you of why you fell in love with the character.
The Changeover is a simple, slightly grim tale which may lack flair, but does leave you wanting more.
Alone/Together is a bit forgettable, but makes for a breezy watch, as most Philippines based romances do.
Isn’t It Romantic is not only comical but finds an appropriate way to address what it is like to be a woman who is plus sized without making her the joke.
Alita: Battle Angel may have stunning action and special effects, but it’s mostly for naught since the emotional element is very hit and miss.
Untogether avoids the sisterhood you’d want to see develop for them to deal with their older boyfriends, and possibly their daddy issues.
The Unicorn, in many ways, is like your first time. Awkward, slightly comical, but unlike many people’s first times, it lasts a bit too long.
Anywhere With You is an adorable movie which shows the challenges a young, newly to LA couple, deal with over the course of 24 hours.
Between Miss Bala being curbed to PG-13, and lacking shades of grey, while entertaining, it isn’t necessarily a must see.
Animas’ teen drama and psychological aspects, when combined, neither provides a quality thriller nor horror.
When Polar tries to be funny, it veers towards being a horrible movie. However, when it is harnessing the seriousness of Mikkelsen’s persona, it flourishes
The loneliness of a dilapidated Earth is the focus IO, a rather dry sci-fi drama that could have been better than what was delivered.
Close may continue to prove Noomi Rapace is a badass, but its lackluster characters may not keep your attention.
All I’m going to say is, Glass’ ending is the end of this trilogy, but could very well be used to launch another. But you may not want it.
While a bit of a bargain bin movie, that isn’t to say you may not get a kick out of Only Mine.
The Last Laugh is an acute reminder that getting older doesn’t mean you lose your will to live but more so take the idea of living more seriously.
The finale of Netflix’s Godzilla series attempts to make up for the ho-hum second entry and leaves room for future sequels.
And Breathe Normally is a slow-moving drama which has touching moments but won’t necessarily leave you saying or in awe.
While it certainly feels bloated at times, Mojin: The Lost Legend is, at times, a thrilling action movie.
While the mystery may not hit as hard as it should, Katherine Waterston makes up for it with a commanding performance.
Taylor Swift: Reputation Stadium Tour starts strong, universally likable, but then becomes the kind of film which may only appeal to Swift’s fans.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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