Glass (2019) – Summary/ Review (with Spoilers)
All I’m going to say is, Glass’ ending is the end of this trilogy, but could very well be used to launch another. But you may not want it.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
All I’m going to say is, Glass’ ending is the end of this trilogy, but could very well be used to launch another. But you may not want it.
While a bit of a bargain bin movie, that isn’t to say you may not get a kick out of Only Mine.
The Last Laugh is an acute reminder that getting older doesn’t mean you lose your will to live but more so take the idea of living more seriously.
The finale of Netflix’s Godzilla series attempts to make up for the ho-hum second entry and leaves room for future sequels.
And Breathe Normally is a slow-moving drama which has touching moments but won’t necessarily leave you saying or in awe.
While it certainly feels bloated at times, Mojin: The Lost Legend is, at times, a thrilling action movie.
While the mystery may not hit as hard as it should, Katherine Waterston makes up for it with a commanding performance.
Taylor Swift: Reputation Stadium Tour starts strong, universally likable, but then becomes the kind of film which may only appeal to Swift’s fans.
At First Light, perhaps in trying to blend genres, may not be the best sci-fi movie, nor romance, but it’s a likable enough watch.
In this dark romantic comedy, a man on the edge finds himself pulled back by this person who nearly was his adopted sister.
While Bird Box certainly contains some emotional high points, it overstays its welcome.
While Natalie Portman presents a stellar performance, Vox Lux as a whole suffers by feeling almost aimless – thanks to its ending.
Mortal Engines mostly relies on special effects, and two supporting actors, to compensate for nearly every other thing the film offers.
Like most holiday movies, No Sleep ‘Til Christmas makes you scratch your head and question the logic of what’s happening.
Neither geared towards children nor perhaps any particular audience, despite finally being released, Mowgli: Legend of the Jungle still seems in limbo.
The California No, sadly, delivers a more interesting trailer than completed film due to an uncompelling male lead.
At best, Everything Beautiful Is Far Away is about opening up to the unknown. At worse, it is a 90-minute movie in which not a lot happens.
Eve is back and it’s not just to Mary Poppins another girl’s life but also to keep from being discontinued!
As long as you look at this as a low-budget horror movie, starring someone with moderate star power, you’ll enjoy The Possession of Hannah Grace.
Surprisingly, the most interesting thing about A Christmas Prince: The Royal Wedding isn’t the wedding but an investigation.
PIMP is all about image and lacks the kind of complexity you want it to have to make it something easy to defend.
While Never Heard does let a character’s potential fall through the cracks, it’s use of faith and the challenges of fatherhood give reason to check this out.
Cam, as interesting as it is, leaves one thing out which may make or break the film for you.
While Fantastic Beasts and Where To Find Them seems purely about milking Harry Potter love, without Harry Potter, there is just enough magic to get you through it.
Here and Now is a slow-moving drama which all builds up to one reveal, and doesn’t really dive deep into the thereafter.
Christmas With A View may lack magic and happenstance, but that’s what makes the romance a bit easier to get into.
Slapped! The Movie is ridiculous in ways where, if you fit the demographic it is going for, you will swear it is the best comedy you’ve seen in a long time.
Beautiful Boy has wonderful performances that compensate for a story that didn’t translate well to the big screen.
Nobody’s Fool shows Tiffany Haddish at her best and shows what Tyler Perry can do when he doesn’t limit his comedy style to PG-13 and below.
Jefe is comical, but as for the whole redemption that is part of Netflix’s synopsis? I don’t know about that.
Never Goin’ Back holds itself back from the many things which could have made this either really funny, insightful, or heartfelt.
How To Get Over a Breakup does drag a bit at times but, depending on if you are going through a breakup, it might be just what you need.
When it comes to the action, you’ll love The Night Comes For Us. However, in terms of story… well, the fight scenes compensate for that.
What begins as a lonely, unwell girl getting her deserved comeuppance, turns into a borderline ridiculous revenge plot.
What starts off as a potentially cute love story, featuring a madman, devolves into you begging for one man to shut up.
When I’ve Wanted To Die, feels like a visual summary, with an incremental update, of Anna Akana’s book released last year.
While, like most book adaptations, in losing some of the fat the film loses some of what made the book great, what isn’t lost is the key message The Hate U Give pushed.
A Star Is Born starts strong and burns bright but, by the end, you’ll be burnt out as it sludges its way to the finish.
Cruise may not cause butterflies or be the best star-crossed romance you’ve ever seen, but it is a decent way to kill an hour and a half.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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