Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
In a Relationship tones down the dramatics of young love and while the lack of dramatics does make the film eventually feel dull, it also makes it one the most honest depiction you’ve seen in a while.
29 to Life may feature one of the most unbelievable romances (not in a good way), but the charm of its female lead might just be strong enough for you to stick around.
Little Woods may sell you on the idea of a bi-racial sisterhood, but it’s more so about critiquing the American health system vs. what Canada offers and the illegal market the discrepancy creates.
Depending on whether you stick to what is presented on the surface, or go deeper, that will ultimately decide whether you allow yourself to enjoy The Misandrist.
Considering the times we are in, if I was still in middle school or high school, I’d skip every assembly after watching this movie.
This odd coming of age comedy may be a bit weak in terms of story, but it still makes for a pleasant experience.
While the story has an eye-roll inducing ending, if you’re someone who likes a few decent jump scares it might be worth a matinee viewing.
A Quiet Place is not your mainstream horror movie and with that comes plus and minuses depending on how you like your horror.
While funny at times, there is something about Blockers which makes you feel you’ve seen other movies do its joke and story better.
While Zoe Kravitz remains a draw, this film may feel like a bait and switch if you are getting a ticket to see her.
While Ready Player One may inspire Who Framed Roger Rabbit? nostalgia, and you’ll enjoy it, this won’t be something you’ll find yourself watching over and over.
I Kill Giants will remind you of A Monster Calls, but now with our protagonist fighting the monster, while being a pompous child to everybody.
Roxanne Roxanne is a story which needed to be told, but there might be some who wished it was told better.
Corny yet sweet, predictable but still a tear-jerker, Midnight Sun isn’t for everyone but for those this was meant for, they may love it.
While you have to appreciate Vikander’s take on the legendary video game heroine, it completely misses the mark on what made Lara Croft a mainstay of her industry.
Love, Simon completely wastes its nearly perfect cast with the kind of adaptation which makes you wish it completely disassociated itself from the book.
While A Wrinkle In Time introduces the world to its saving grace, Deric McCabe, many may find the fantasy elements downplayed and certain themes taking time which would have been better used to craft a more faithful adaptation.
The play which evolved into a movie brings all you expect from its talented cast, as they pretty much stick to the type of characters they have become adept to playing and being surrounded by.
Setting aside the issues the film has with continuity, this direct to DVD sequel redeems the series after the horrible Seed of Chucky.
Uwantme2killhim shows the danger of cyber relations in a world where the lonely can make too much of an investment in whoever the person is who is replying.
Middleton is a silly movie which feels like it slightly suffers from the unofficial 90 minute minimum requirement for movies.
Each summer is filled with coming of age movies and this one tries to to take things a little less seriously
Your usual Zombie film done on a grander scale.
Touching, but perhaps a tad theatrical, The Bachelors’ sorrow will likely dampen your mood with its affecting performances.
Newness, while it has a certain charm emanating from its leads, struggles to maintain interest during its nearly 2-hour timespan.
While it is clear, when watching, this is a YA novel adaptation, between Angourie Rice and the writing, Every Day sidesteps a lot of expectations. Though not some which matter the most.
ExPatriot seems like an NBC mid-season replacement you didn’t know existed.
Honestly, I’m ready for Gugu Mbatha-Raw to star in the majority of Netflix’s movies for she finds a way to elevate them past their innate mediocrity.
With Where’s The Money? I think it is time to evaluate whether many a Black urban comedy can qualify as being “camp” in style.
The Cloverfield Paradox doesn’t really live up to the hype the franchise has had, or seems worth how much Netflix likely paid, but can be enjoyable.
Maze Runner: The Death Cure tries its hardest for an epic ending but ends up falling on its face with every attempt at an emotional moment.
The Misguided is a tale of two brothers who, despite their relationship complicated by a woman and drugs, may sometimes struggle to keep your attention.
Little Bitches has this quality to it which makes it seem like a failed MTV pilot was made into a movie covering what the first season would cover. Minus some essential details.
The Open House follows a different route than most thriller/horrors. Which you may love at first, until what happens in the ending.
If you’re a fan of Taraji P. Henson, you’ll enjoy Proud Mary, if not, this will not be the film to win you over.
Though you can easily forgive Blame because the heart of the story is so good, once you start really taking note of all that is going on, you realize it might not be as good as it seems.
Sean Baker shows himself as perhaps one of the few noteworthy director/writers who seriously have his own style you cannot quickly and easily compare.
I, Tonya may help build up Margot Robbie’s filmography, and get Alisson Janney major awards, but it’ll also may bore you senseless.
Similar to the Fast and Furious franchise, Pitch Perfect’s latest sequel solely tries to appeal to old fans rather than collect new ones.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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