Barber (2023) – Review and Summary
“Barber” has two competing lead storylines, between its lead character’s personal life and case, that conflict and don’t complement each other well.
Mixed (Divisive)
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
Love & Murder: Atlanta Playboy, Part 1 – Review and Summary
“Love & Murder: Atlanta Playboy” often feels like the type of movie you’ve seen many times before, with the only difference being this is based on the true story of Lance Herndon.
Elevator Game (2023) – Review and Summary
“Elevator Game” may have some missteps, and may not justify its villain’s motive well, but it does have likable characters who you are interested in enough to wonder if they will survive.
Condition of Return (2023) – Review and Summary
A woman betrayed by society and who she was close to prays for help and ends up getting what she asks for, but her prayers aren’t answered by who she expected.
A Million Miles Away (2023) – Review and Summary
“A Million Miles Away” may not soar as a biopic, but Michael Peña gives a career-best performance José M. Hernández.
Outlaw Johnny Black (2023) – Review and Summary
Michael Jai White’s “Outlaw Johnny Black” is a good silly 90-minute western trapped in a 2-hour middling movie.
The Vigilante (2023) – Review and Summary
Lee Whittaker’s “The Vigilante” is a timely action story about hunting down child traffickers. But it’s heavy on the action and less on the story.
The Equalizer 3 (2023) – Review/ Summary
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
All Fun and Games (2023) – Review/ Summary
With a “Sex Education” and “Stranger Things” alumni, and the Russo Brothers as executive producers, this had to be good… right?
The Nun II (2023) – Review
“The Nun II” reminds you that it isn’t just Disney and the Marvel Cinematic Universe that milks its franchises past its prime – the horror genre has been doing that since its inception.
