Jaja’s African Hair Braiding (2023) – Play Review and Summary

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General Information

This section includes information about the production, cast, staff, venue, and crew.

Director(s)	Whitney White
Writer(s)	Jocelyn Bioh
Organizer(s)	Manhattan Theatre Club
Language	English
Attendance Type	Offline – In Person
Event Status	On Schedule
Venue or Network (Samuel J. Friedman Theatre)	261 West 47th Street, New York, NY 10036
Performance Date	September 12, 2023
First Performance At This Venue	September 12, 2023
Opening Night Performance	October 3, 2023
Last Performance At This Venue	October 29, 2023
Venue URL	https://www.manhattantheatreclub.com/shows/2023-24-season/jajas-african-hair-braiding/
Tickets Starting At	$74.00
Genre(s)	Play Comedy Drama Young Adult
Duration	90 Minutes
Noted Performers
Jaja	Somi Kakoma
Marie	Dominique Thorne
Bea	Zenzi Williams
Aminita	Nana Mensah
Miriam	Brittany Adebumola
Crew
Scene/ Set Design	David Zinn
Costume Design	Dede Ayite
Lighting Design	Jiyoun Chang
Sound Design	Justin Ellington

Summary

This content contains pertinent spoilers. Also, images and text in this post may contain affiliate links. If a purchase is made from those sites, we may earn money or products from the company.

It’s the summer of 2019, and in Harlem, while Jaja preps for her courthouse wedding, her daughter, Marie, opens and runs the shop. That is no easy task, for while Miriam is nice and easy to get along with, the same can’t always be said for the aunties, Bea and Aminita. From the gossiping to Bea being jealous of another woman in the shop, Ndidi, and even Jaja, she is a bit of a spitfire, and sometimes Aminita joins in.

However, in “Jaja’s African Hair Braiding,” which takes place in a day, you’ll see that no matter the background, age, or status, Jaja is part of the community and has created a family. One that will, despite their difference, put all that aside when any member of the shop is in need.

Content Information

• Dialog: Some cursing
• Violence: N/A
• Sexual Content: N/A
• Miscellaneous: N/A

Character Descriptions

Please Note: This character guide is not an exhaustive list of every cast member, and character descriptions may contain what can be considered spoilers.

Jaja

For over a decade, Jaja has been in America, and after working in a domestic capacity, she opened her own shop, which has become a community staple that has not only provided opportunities to newly arrived Africans but also helped her put her daughter through private school.

Marie

Marie is Jaja’s daughter who hasn’t been in her home country of Senegal since she was 4 but has flourished in America. Thanks to her mom, she went to a private school, and she was a top student. However, she isn’t sure if she wants to become a doctor, as her mom expects, or become a writer.

• The actor is also known for their role in “Judas And The Black Messiah” and their role in “Black Panther: Wakanda Forever.”

Bea

Bea, out of all the ladies, has the longest history with Jaja, back when she was working in people’s homes, and she makes sure everyone knows that she could have co-owned the shop if Jaja gave her more time to get her money together.

Aminita

Bea’s best friend is Aminita, who is the only one besides Jaja, who is in a relationship in the shop, albeit one where her man is a deadbeat, but a relationship nonetheless.

• The actor is also known for their role in “13 Reasons Why (Thirteen Reasons Why).”

Miriam

Miriam is a single parent from Sierra Leone whose daughter is back home with her mother. It has been three years, but she seems to have gotten adjusted to living in America and working in Harlem.

• The actor is also known for their role in “The Equalizer: Season 3/ Episode 4” and their role in “Grand Army: Season 1 Episode 1.”

Review

Our Rating: Mixed (If Affordable)

Highlights

Sense of Community

While Bea and Aminita may joke about Juju’s wedding dress, at the same time, it is clear they are like sisters to her. They laugh, console, and make money together. Then, when it comes to girls from the continent like Miriam, Juju provides a job opportunity and a sense of home.

I don’t think it can be understated how much love is in Juju’s shop. Yes, tough love at times, but then a stranger sits in the chair, and with the intimacy that comes from having someone touch you for hours, renew your sense of self, and almost require you to be in a vulnerable state, so comes the stories spilling out, connections being built, and while money is exchanged for services, there comes a point where the line between client and braider blurs into what can seem like friendship. For whether African directly from the continent or African-American, there is a sense of a shared story and sisterhood that makes every interaction personal.

A Different Immigrant Experience Depiction

The immigrant experience, at least in the United States, often focuses on those throughout Latin America or else the Asian experience, as of late. However, it can be forgotten how many Black people, in this case, people from Sierra Leonne, Senegal, Nigeria, and Ghana, have their own unique immigrant experience.

But, the beauty here isn’t just naming off various countries, but that the ladies aren’t wholly defined by where they come from. Everything isn’t about how they did things or how life was back home. There aren’t arguments about who makes the best Jollof rice or anything of that nature. Don’t get it twisted; these are proud African women, and from their dancing to their dialect, their culture is on display. However, it isn’t a crutch used in the writing of these characters, for they are more than where they came from.

The best example of this is Miriam who came from Sierra Leonne and talks about her life there, but as specific as it is to her, it doesn’t feel specific to her home country. And while she, like many of the ladies, plan to visit home, it is also established that they have made friends and gained new experiences, and while their homeland will always be a part of them, it isn’t the sole interesting thing about them.

Criticism

How Much Is Left Unresolved In The End

What I and I’m sure many others may find frustrating, is that because this whole play takes place in one day, and it is realistic about what can happen in a day, a lot of things are left on a cliffhanger. Going into details would mean giving major spoilers, but let’s just say no situation presented, no issue in any character’s life, is wrapped up.

You’re sent home having to hope and wait with a name like Taraji P. Henson attached, maybe she can get this optioned for a show or a movie so all the characters can get a proper end to their story rather than what will make you question whether this is really 90 minutes without an intermission.

On The Fence

Now All Characters Are Developed The Same

“Jaja’s African Hair Braiding” does not have all of its characters treated equally. The title character is basically a whirlwind who is maybe on stage for less than ten minutes. Meanwhile, Miriam is able to talk about everything that led up to her coming to America and working with Jaja. These are the extremes when it comes to the characters, and even though Bea and Aminita are on stage for most of the 90-minute play, what we learn about them is minimal.

Bea doesn’t even get to speak her narrative, and instead, most of what we learn comes from people trying to insult her. Ndidi gets something of substance via talking about her life in Nigeria, but it’s a blurb compared to Miriam going on for so long that you’d almost think Jaja was a Trojan Horse so Miriam could tell her story.

Who Is This For?

Those who love the drama and jokes that go on in a hair salon and want some African flavor added into the mix.

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