“Jaja’s African Hair Braiding” is the type of play that demands an audience reaction as it exhibits community on stage and fosters it within the audience.

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General Information

This section includes information about the production, cast, staff, venue, and crew.

Director(s) Whitney White
Writer(s) Jocelyn Bioh
Organizer(s) Manhattan Theatre Club
Language English
Attendance Type Offline – In Person
Event Status On Schedule
Venue or Network (Samuel J. Friedman Theatre) 261 West 47th Street, New York, NY 10036
Performance Date September 12, 2023
First Performance At This Venue September 12, 2023
Opening Night Performance October 3, 2023
Last Performance At This Venue October 29, 2023
Venue URL https://www.manhattantheatreclub.com/shows/2023-24-season/jajas-african-hair-braiding/
Tickets Starting At $74.00
Genre(s) Play



Young Adult

Duration 90 Minutes
Noted Performers
Jaja Somi Kakoma
Marie Dominique Thorne
Bea Zenzi Williams
Aminita Nana Mensah
Miriam Brittany Adebumola
Scene/ Set Design David Zinn
Costume Design Dede Ayite
Lighting Design Jiyoun Chang
Sound Design Justin Ellington


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It’s the summer of 2019, and in Harlem, while Jaja preps for her courthouse wedding, her daughter, Marie, opens and runs the shop. That is no easy task, for while Miriam is nice and easy to get along with, the same can’t always be said for the aunties, Bea and Aminita. From the gossiping to Bea being jealous of another woman in the shop, Ndidi, and even Jaja, she is a bit of a spitfire, and sometimes Aminita joins in.

However, in “Jaja’s African Hair Braiding,” which takes place in a day, you’ll see that no matter the background, age, or status, Jaja is part of the community and has created a family. One that will, despite their difference, put all that aside when any member of the shop is in need.

Content Information

  • Dialog: Some cursing
  • Violence: N/A
  • Sexual Content: N/A
  • Miscellaneous: N/A

Character Descriptions

Please Note: This character guide is not an exhaustive list of every cast member, and character descriptions may contain what can be considered spoilers.


For over a decade, Jaja has been in America, and after working in a domestic capacity, she opened her own shop, which has become a community staple that has not only provided opportunities to newly arrived Africans but also helped her put her daughter through private school.


Marie is Jaja’s daughter who hasn’t been in her home country of Senegal since she was 4 but has flourished in America. Thanks to her mom, she went to a private school, and she was a top student. However, she isn’t sure if she wants to become a doctor, as her mom expects, or become a writer.


Bea, out of all the ladies, has the longest history with Jaja, back when she was working in people’s homes, and she makes sure everyone knows that she could have co-owned the shop if Jaja gave her more time to get her money together.


Bea’s best friend is Aminita, who is the only one besides Jaja, who is in a relationship in the shop, albeit one where her man is a deadbeat, but a relationship nonetheless.


Miriam is a single parent from Sierra Leone whose daughter is back home with her mother. It has been three years, but she seems to have gotten adjusted to living in America and working in Harlem.


Our Rating: Mixed (If Affordable)


Sense of Community

While Bea and Aminita may joke about Juju’s wedding dress, at the same time, it is clear they are like sisters to her. They laugh, console, and make money together. Then, when it comes to girls from the continent like Miriam, Juju provides a job opportunity and a sense of home.

I don’t think it can be understated how much love is in Juju’s shop. Yes, tough love at times, but then a stranger sits in the chair, and with the intimacy that comes from having someone touch you for hours, renew your sense of self, and almost require you to be in a vulnerable state, so comes the stories spilling out, connections being built, and while money is exchanged for services, there comes a point where the line between client and braider blurs into what can seem like friendship. For whether African directly from the continent or African-American, there is a sense of a shared story and sisterhood that makes every interaction personal.

A Different Immigrant Experience Depiction

The immigrant experience, at least in the United States, often focuses on those throughout Latin America or else the Asian experience, as of late. However, it can be forgotten how many Black people, in this case, people from Sierra Leonne, Senegal, Nigeria, and Ghana, have their own unique immigrant experience.

But, the beauty here isn’t just naming off various countries, but that the ladies aren’t wholly defined by where they come from. Everything isn’t about how they did things or how life was back home. There aren’t arguments about who makes the best Jollof rice or anything of that nature. Don’t get it twisted; these are proud African women, and from their dancing to their dialect, their culture is on display. However, it isn’t a crutch used in the writing of these characters, for they are more than where they came from.

The best example of this is Miriam who came from Sierra Leonne and talks about her life there, but as specific as it is to her, it doesn’t feel specific to her home country. And while she, like many of the ladies, plan to visit home, it is also established that they have made friends and gained new experiences, and while their homeland will always be a part of them, it isn’t the sole interesting thing about them.


How Much Is Left Unresolved In The End

What I and I’m sure many others may find frustrating, is that because this whole play takes place in one day, and it is realistic about what can happen in a day, a lot of things are left on a cliffhanger. Going into details would mean giving major spoilers, but let’s just say no situation presented, no issue in any character’s life, is wrapped up.

You’re sent home having to hope and wait with a name like Taraji P. Henson attached, maybe she can get this optioned for a show or a movie so all the characters can get a proper end to their story rather than what will make you question whether this is really 90 minutes without an intermission.

On The Fence

Now All Characters Are Developed The Same

“Jaja’s African Hair Braiding” does not have all of its characters treated equally. The title character is basically a whirlwind who is maybe on stage for less than ten minutes. Meanwhile, Miriam is able to talk about everything that led up to her coming to America and working with Jaja. These are the extremes when it comes to the characters, and even though Bea and Aminita are on stage for most of the 90-minute play, what we learn about them is minimal.

Bea doesn’t even get to speak her narrative, and instead, most of what we learn comes from people trying to insult her. Ndidi gets something of substance via talking about her life in Nigeria, but it’s a blurb compared to Miriam going on for so long that you’d almost think Jaja was a Trojan Horse so Miriam could tell her story.

Who Is This For?

Those who love the drama and jokes that go on in a hair salon and want some African flavor added into the mix.

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Jaja’s African Hair Braiding (2023) – Overview


Something about “Jaja’s African Hair Braiding” makes you want audience participation as the drama on stage unfolds, but while you appreciate the comedy and drama, it is hard to get past not getting to know all characters the same or how everyone’s story feels unfinished as the cast takes a bow.

  • Sense of Community - 83%
  • A Different Immigrant Experience Depiction - 84.5%
  • How Much Is Left Unresolved In The End - 63%
  • Now All Characters Are Developed The Same - 74%
User Review
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  • Sense of Community
  • A Different Immigrant Experience Depiction


  • How Much Is Left Unresolved In The End
  • Now All Characters Are Developed The Same

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