What starts off as a comical mockumentary about a megachurch trying to make a comeback becomes a film that struggles to shift to a serious tone as it addresses what led to the downfall.
Master for PWI may have the same effect that Get Out had on Black man/White woman relationships.
If you ever wanted to hear old head logic, mixed in with some of the best one-lines, “Tijuana Jackson: Purpose Over Prison” has what you need.
Shaft (2019) somehow balances being modern, funny, old school, and a bad mother****er without losing a beat or pushing you to check your watch.
While reimagining classic films usually deserve a side-eye, Little brings something completely new and leaves you feeling like it is long overdue.
While, like most book adaptations, in losing some of the fat the film loses some of what made the book great, what isn’t lost is the key message The Hate U Give pushed.
Support The Girls is a tad strange, and lacks any real story, but Haley Lu Richardson and Shayna McHayle make it worth watching till the end.
Up to a certain point, you may think that everyone maybe getting their situations together. But, in the long run, happy and functioning people don’t keep shows running.
While the groundhog day concept isn’t new, one has to wonder can another production use the narrative in a funny, insightful, or heartfelt way? Well, Naked sort of tries.
Without question, Girls Trip is the funniest movie I have ever seen PERIOD. All thanks to, not necessarily the established stars, per se, but Tiffany Haddish.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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