The Party’s Just Beginning – Summary/ Review (with Spoilers)
The Party’s Just Beginning gives you the quarter-life crises some of us have had and others fear may come.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
The Party’s Just Beginning gives you the quarter-life crises some of us have had and others fear may come.
While Bird Box certainly contains some emotional high points, it overstays its welcome.
Deadly Class contains it all. Diversity, violence, teen angst, and not a single character who feels like a waste of screen time.
While Natalie Portman presents a stellar performance, Vox Lux as a whole suffers by feeling almost aimless – thanks to its ending.
With corporate espionage, a pending fantasy element, and bullets flying, The Protector starts off a bit weird and with a bang.
Dumplin’ is an ode to Dolly Parton and an example of how to handle having a full-figured woman as lead without a comedy filter or being overly dramatic.
The California No, sadly, delivers a more interesting trailer than completed film due to an uncompelling male lead.
Baby’s lack of actors with a certain It factor, and generic writing, make it one of the dullest teen dramas you may ever watch.
PIMP is all about image and lacks the kind of complexity you want it to have to make it something easy to defend.
Like most boxing movies, when the actors are in the ring you’re flinching and engaged. However, once they leave the ring? Well, let’s just say you’ll be counting down to the next fight.

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.