Tyler Perry’s Madea’s Farewell Play – Review/Summary (with Spoilers)
In the last play Tyler Perry portrays Madea, we get one final reminder of why, despite some controversy, Madea is a renowned figure.
In the last play Tyler Perry portrays Madea, we get one final reminder of why, despite some controversy, Madea is a renowned figure.
Season 2 of “The Umbrella Academy” still has a villain problem, but with heading to the 60s comes a new timeline to save and blessed characters.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
“Die Hart” feels strange to watch in short clips, and with having to wait so long to see the end, it loses its luster quicker than if you got to watch all at once.
Liza Koshy & Sabrina Carpenter star in a dance movie that has a few kinks but is it overall enjoyable?
As with most Seth Rogen movies, it’s not about the comedy as much as a person challenging themselves and dealing with what is holding them back.
“Almost Love” is good enough to get you invested into the characters, but not to the point of pushing everyone you know to see it.
If you ever wanted to hear old head logic, mixed in with some of the best one-lines, “Tijuana Jackson: Purpose Over Prison” has what you need.
The introduction of “Die Hart” pushes you to understand why comedians try and need to diversify before they are no longer in on the joke.
“Yes, God, Yes” is not only probably one of the best coming of age films in a long time, but it also is one of the few teen sex comedies that doesn’t feel like a rehash.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.