Mack and Rita (2022) – Review/ Summary (with Spoilers)
“Mack and Rita” reverses the de-age trope and shows getting older is a blessing and underrated privilege.
“Mack and Rita” reverses the de-age trope and shows getting older is a blessing and underrated privilege.
When “Easter Sunday” strips away the fat and focuses just on the complicated dynamics families can have, it becomes a pleasure to watch.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
“Bullet Train” reminds you not only of Brad Pitt’s star power but also how action at its best is done in close quarters.
“Don’t Blame Karma” is comical at times, but the romance it wishes to explore and the drama which creates the comedy and complicates the romance is disappointing.
With the star power of Angourie Rice, “Honor Society” becomes far more than a tale about a malicious overachiever trying to get the hell out of her small town.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
In this dramedy, an act of revenge becomes a lucrative business that may not test friendships but does lead to unexpected consequences.
“Anything’s Possible” is a cute love story that knows to get specific about its lead’s experience when it matters.
“Rap Sh!t” may start a little rough as the lead eclipses a lot of the show’s potential assets with her insecurities, but once her best friend does some course correction, it takes off.

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.