The Babysitter – Recap/ Review (with Spoilers)
Horror comedies are usually downright terrible, but The Babysitter is not only an exception but makes a blueprint to follow.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Horror comedies are usually downright terrible, but The Babysitter is not only an exception but makes a blueprint to follow.
One Percent More Humid lacks investment in its tragedy to the point it makes the survivor’s tears for naught.
In The Foreigner, Jackie Chan combines a timely backstory, mixed with a slightly generic plot, and the type of action you’d only expect from something with his name associated with it.
Cult of Chucky honestly doesn’t seem that bad, until you realize it is trying to set itself up for more sequels.
While, at first, the title of The Death and Life of Marsha P. Johnson may seem kind of off, what it is, is a reminder of how her legacy lives on through her years of activism.
Carla Gugino shows once again, in Gerald’s Game, she is perhaps one of the most underrated actresses of modern times.
It’s that time of the year again for a disappointing thriller featuring a whole bunch of Black people of which one is really crazy. Which is what you get in Til Death Do Us Part.
Our Souls At Night continues to push that there is such a richness in storytelling Hollywood is missing out on by focusing solely on the youth.
Despite no noteworthy performances, and this being a remake, Flatliners contains just enough surprises to fight off preconceived notions.
Gaga: Five Foot Two reminds you that behind the pop icon Lady Gaga is Stefani Germanotta. A person, a woman, a world-renowned singer, but still a human being. One whose pain, both physical and mental, she lives with every day and has to fight off to live her dream.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.