Everything Now: Season 1/ Episode 4 – Recap and Review
As sex becomes a topic of conversation Mia would love to avoid, she finds herself confronting everyone about the lies they have told.
Amari is the founder and head writer of Wherever-I-Look.com and has been reviewing media since 2010. He approaches each production with hope, rooting for every story to succeed, and believes criticism should come from unmet potential, while praise is reserved for work that meets or exceeds expectations.
As sex becomes a topic of conversation Mia would love to avoid, she finds herself confronting everyone about the lies they have told.
As Mia reaches an epic high, she is reminded what goes up must come down.
In a tragic, long-in-the-tooth, multi-generational love story, two people have a constant case of bad timing, which ruins the love that could be.
As Mia seeks out what kind of normal she can attain, she gets surprised by two who offer her a chance at a new normal rather than the one she expected or was used to.
In what can be seen as a mini-career and life retrospective, Tony Winner Alex Newell walks their audience through some of their favorites Broadway numbers, including those they made a hit.
In this simple revenge tale, a young lady’s best friend decides she no longer wants to be alive, which sets off a chain of events to kill off the man who blackmailed her.
In a episode mainly focused on how Janelle made people feel a certain type of way, she mostly remains unbothered by their struggles.
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
Like many Sci fi dramas, especially those lacking action, “Foe” is dry and even with its twist, passable.
“Everything Now” feels like a precedent setting show about the teen years that might be more honest, relatable, and nuance than what we often see.