The Rhythm Section (2020) – Review, Summary (with Spoilers)
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
With car chases, life or death moments, and usually someone driven to madness, the Thriller tag has productions featuring these kinds of thrills.
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
Despite the time gap and this being the third entry into the franchise, “Bad Boys For Life” brings you what you’d want, what you’d expect, but not much more.
“Underwater” wants to be an emotional and action-packed action film, but it fails too often and its villain is underdeveloped.
Like “Rings,” the “SaW” remake, and so many other horror franchises that reboots were attempted for, “The Grudge” seems like it shouldn’t have been made.
Michael Bay’s love for explosions and expensive action scenes mixed with Ryan Reynolds’ humor is a match made in big-budget heaven.
Black Christmas works on multiple levels. It operates as a fairly feminist film, and its incel-like villains produce a decent amount of jump scares.
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While Countdown doesn’t have the best lead or story, its supporting characters and jump scares make it worth a matinee price or using one of your subscription services.
Black and Blue is the rare combination of high octane, “That’s what I’m talking about!” moments and a sense of depth rare in action movies.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.