Black Christmas (2019) – Review, Summary (with Spoilers)
Black Christmas works on multiple levels. It operates as a fairly feminist film, and its incel-like villains produce a decent amount of jump scares.
With car chases, life or death moments, and usually someone driven to madness, the Thriller tag has productions featuring these kinds of thrills.
Black Christmas works on multiple levels. It operates as a fairly feminist film, and its incel-like villains produce a decent amount of jump scares.
Into The Dark: A Nasty Piece of Work is likely one of the best entries into the series in a long time.
While Countdown doesn’t have the best lead or story, its supporting characters and jump scares make it worth a matinee price or using one of your subscription services.
Black and Blue is the rare combination of high octane, “That’s what I’m talking about!” moments and a sense of depth rare in action movies.
Eli presents the unexpected, time and time again, to the point it will make you wish this was a mini-series, maybe of 2 – 3 episodes, than one movie.
Between characters you may not care to invest in and a plot which would require you to be in a theater to keep your attention, Fractured is a miss.
In the Shadow of the Moon is written more to be the start of a series than a singular movie – and it shows through its characters.
While the story of Rambo: Last Blood is weak and may cause think pieces, you may find the violence more than compensates.
Despite Polaroid’s original US premiere being cancelled, and its release, stateside, being in limbo ever since, it’s a bit hard to fathom why.
Thanks to the performances of Storm Reid and David Oyelowo, Don’t Let Go will have you crying and your chest tight due to fear.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.