Fatale – Review/Summary (with Spoilers)
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
With car chases, life or death moments, and usually someone driven to madness, the Thriller tag has productions featuring these kinds of thrills.
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
The Paramedic is a stern reminder of why closure isn’t needed, no matter what your ex says. Take what you can, and DON’T LOOK BACK!
The Owners is strange in so many ways, but not enough to scare you, creep you out, or be notable.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
In this over two hour epic, you watch a young man play the long game in ways that will stun you and leave you thinking, “It can’t end like this?”
“Fatal Affair” is tame, predictable, and lacks any sort of chemistry between its lead actress and her co-stars.
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
If you like your horror slow churning, not reliant on gore, but still may not be the best to watch at night, “Our House” could do the trick.
“Inheritance” may not be a fast-paced thriller, but it will still give you the kind of ending that’ll make your eyes blare and jaw drop.
With the spin of grief manifesting itself, “Body Cam” explores police brutality and the conflicting emotions of a Black female officer.
Issa Rae and Kumail Nanjiani are well paired in “The Lovebird” as their brands of awkward collide and create a chaotic romance.
In its 3rd season, “9-1-1” presents minor improvements, but due to being a procedural, which leads to some inconsistency, it often feels like more of the same.
Like many thrillers/horror shows, if not movies, “The Stranger” is pretty good until it needs to wrap things up.
Twist, turns, backstabbings, gunshots and more, all allow “Dangerous Lies” to not be the best film out there, but entertaining.
Thanks to savvy lawyers, justice has become ambiguous compared to how it used to be. However, someone decides enough is enough, and some people should die.
As in previous seasons, Ozark may show Marty as the lead, but in reality, it is the women of the show who make it what it is.
“Coffee and Kareem” is definitely something mad for those who don’t mind kids cursing or being part of, or around, violent, and sexual, situations for laughs.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.