Last Moment of Clarity (2020) – Review/ Summary with Spoilers
Taking note of its criminal element, it’s ultimately the love we see blossom or renewed, that drives “Last Moment of Clarity.”
Taking note of its criminal element, it’s ultimately the love we see blossom or renewed, that drives “Last Moment of Clarity.”
In season 2 of Sex Education, the show moves beyond the physical act of sex and focuses more on intimacy – both in and out of the bedroom.
“Dare Me,” as it explored the intimate relationships between a small town’s cheerleading squad, provides some of the best teen drama, not (originally) on FreeForm or Netflix.
How much you may enjoy this movie all depends on whether you like outrageous characters who don’t limit themselves for the comfort of others.
“Valley Girl” is a fun teen movie with 80s flair, music, and a simple, but likable, romance – ruined by bland characters.
“The Half of It” brings a positive spin on small-town America, while still pushing how getting out of your comfort zone is necessary to grow.
Twist, turns, backstabbings, gunshots and more, all allow “Dangerous Lies” to not be the best film out there, but entertaining.
For those looking for a new teen drama, “Summertime” likely can deliver the romance and drama you desire.
“Straight Up” explores the difficulty of fitting a sexuality label when the heart wants what it wants.
While “My Spy” is not as kid-friendly as it appears, it is likely one of the funniest movies, featuring a juvenile, you’ve seen in a while.
In Act 1 of “Besties,” we’re introduced to a small group of friends and lovers, all trying to get the most of their relationships – sometimes selfishly.
“Tigertail” gives you an understanding of the sacrifices immigrants make for what they think will make them happy, and how that affects the generations that come after. Director(s) Alan Yang Screenplay By Alan Yang Date Released (Netflix) 4/10/2020 Genre(s) Drama, Romance, Non-English Duration 1 Hour, 31 Minutes Rating PG Noted Cast Pin Jui (Grover) Tzi…
Operating on a level of cringe that will make it either hilarious or off=putting, “Love Wedding Repeat” surely isn’t for everyone.
Outside of a short time gap, “Banana Split” is an exploration of female intimacy in both sisterhood and friendships.
“Sing ‘Yesterday’ For Me,” as it addresses the regrets that come with early adulthood, makes you hyper-aware of what is and isn’t going right in your life.
“Freshman Year” avoids being heavy-handed or eye-roll-inducing about faith. Rather, it approaches a young man’s faith, and decisions, with a realistic tone.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
“Cherish The Day” with its sometimes complicated, yet never messy, love story answers the call for rich Black love stories.
“Self Made: Inspired By The Life of Madam C.J. Walker” has the performances and inspirational story you expect, but also the kind of drama which keeps this from being seen as prestigious.
While the development of Jasmine is ace this season, the other elements of season 3 of “On My Block” are frustrating, inconsistent, or feel like a repeat of the past.
In a slight change of pace, “Motherland: Fort Salem” may focus on witches and the supernatural, but with the general omittance of men, things appear far more severe.
“Stargirl” in depicting what happens when you allow yourself to be what others want, brings about one of the best family appropriate live-action films from Disney in ages.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
“I Still Believe” with its tear-inducing story will make it so, even if you aren’t a person of faith, you’ll get why some hold onto theirs so tightly – despite it all.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
“The Thing About Harry” brings us beyond gay couples dealing with trauma and the dramatics of the first time. It’s just about the awkwardness of love.
Zoey Kravitz’s “High Fidelity” may not have too much of a hook beyond herself and Da’Vine Joy Randolph, but that might be all it needs.
“The Photograph” develops a mother/daughter relationship, a romance, as well as explores one woman’s struggle with the concept of love.
Through its exploration of marriage and relationships, after the honeymoon phase, “Stuck With You” explores that period between wanting to leave but not lose your investment.
While a bit longer than it needs to be, “To All The Boys: P.S. I Still Love You” will stir up your emotions just like the first film.
OWN continues to be one of the premier networks for dramas featuring elite Black talent, and Ava DuVernay’s “Cherish The Day” furthers the network’s legacy.
In a film fit for Valentine’s Day, “What Love Looks Like” brings us the beauty of love as it begins and the mourning period when it is at its end.
“My Hindu Friend” dances around the viewer’s expectations by creating a sexual, emotional, and sometimes utterly weird tale based on Héctor Babenco final year of life.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
“Weathering With You” like “Your Name.” plays with your emotions, skips certain details, but is ultimately worth the price to see.
“In/Spectre” tries to have romance, gore, comedy and the supernatural all in one, but it is hard to say it ever perfectly blends the three together.
Between a man with Alzheimer’s trying to see his first love and his granddaughter who keeps the core family together, you will be in your emotions.
The second season of “You” feels a bit formulaic, but Penn Badgley makes up for it by continuing to make you wonder how far Joe can go before he’s unforgivable?
“Always A Bridesmaid” is everything you could want and more from a romance film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages