Wonder Woman 1984 – Review/ Summary (with Spoilers)
Wonder Woman 1984 desires to sidestep what a lot of superhero movies do by focusing more on romance and reminding us the villains aren’t truly evil, they’re actually disenfranchised.
Wonder Woman 1984 desires to sidestep what a lot of superhero movies do by focusing more on romance and reminding us the villains aren’t truly evil, they’re actually disenfranchised.
I Remember asks you to forgive it’s lead tells, as he gets the chance to live out his dream of dating the girl who always seemed out of his league.
While Industry does not have every character live up to its potential, Myha’la Herrold and Ken Leung damn near save the show.
As with most of OWN’s “OWN For The Holidays,” First Christmas pushes new narratives beyond the Christmas formula, which might be the best one yet.
While the longing looks and stolen moments will entice you, it’s hard to move past how Sylvie’s Love begins soiled.
Cooking Up Christmas gives you a nice family movie dealing with coming back together after loss, lies, and setbacks that closes people off from what and who they love.
While The Christmas Lottery has many familiar storylines, between a prominently featured lesbian couple and avoiding being as corny as most holiday movies, this is one to see.
Songbird ignores whether producing a COVID romance is inappropriate and doesn’t even deliver a good enough relationship to never mind its ill-taste.
A Christmas For Mary makes it clear last year’s holiday offerings were a warm-up as clearly OWN wants to make a name for itself in the holiday movie market.
For The Love of Jason has one of the best comedy pilots you may have seen in a l o n g time.
While absolutely silly, A Christmas Surprise does deliver a fun, overtly dramatic Christmas story.
“All My Life” avoids any opportunity to develop its characters as it focuses on crafting an enviable romance.
Life In A Year will make you laugh, make you cry, and will make you reconsider previous opinions on Cara Delevingne and Jaden Smith.
Superintelligence follows the usual Melissa McCarthy movie formula, so as long as you’re a fan of hers, you’ll enjoy the film.
While there might be times Happiest Season may make you roll your eyes, its heart and certain characters keep you watching until the end.
The Princess Switch: Switched Again, like most holiday movies, is made solely for its audience and doesn’t offer a royal invitation to detractors.
Sound of Metal has the performances needed to make it a stirring, likely Oscar-caliber movie, but after a certain point, it overstays its welcome.
Uncle Frank, thanks to Paul Bettany and Sophia Lillis, leaves a bit of a heavyweight on your shoulder that can only be relieved with tears.
Dash and Lily begins with us meeting The Grinch, known as Dash. However, by the time Christmas comes around, his heart may grow two sizes too big.
If you like holiday movies which get your emotional, feature a “What If?” and are a little queer, you will love A New York Christmas Wedding.
Similar to Happy Death Day, you’ll find Freaky has an unexpectedly good blend of horror and comedy – though it won’t do for its leads as we saw for Jessica Rothe.
True To The Game feels like your standard fare gangster movie, with the only exception being who lives and dies.
Like most holiday movies, “Operation Christmas Drop” isn’t going to be the best thing out there. However, it’s simple, based on a true military exercise, and family-friendly.
For those who like unconventional holiday movies, in this case, with cursing and a dysfunctional family, “Holidate” was made for you.
Despite a few painfully awkward moments, “Ellie and Abbie (And Ellie’s Dead Aunt” does ultimately give you what you need from it.
Exes Baggage presents your usual will they or won’t they drama as you become so invested in the leads’ relationship you feel as if they must end up together.
In what may feel like a prequel to “Shiva Baby,” Rachel Sennott is joined by Madeline Grey DeFreece for another awkward funeral situation.
Dancing on the tightrope between cringe and funny, “Shiva Baby” presents Rachel Sennott as someone on the cusp of mainstream fame.
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
“Were You Gay In High School” has the quality and appeal of something you’d think was released on Wong Fu’s YouTube channel due to its comedy and heart.
Set to the song “And Then She Kissed Me” by St. Vincent, the short, sharing the song’s name, is a sweet and quick romance made to make you swoon.
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
“Grand Army” with its socially mixed teens, all going through something, could be Netflix’s next big teen/ young adult series.
“2 Hearts,” at times, may feel like a TV movie that somehow made it to the big screen, but that doesn’t mean it won’t get you in your feelings.
Like the dying process, “Ms. White Light” has its good moments and bad moments, but ultimately ends with a whisper.
“Walk Away From Love,” strangely, avoids some of the usual tropes you’d expect, but whether that makes it better or not? Well, read on.
While there is some ecchi for those who need it, largely “Adachi and Shimamura” keeps things cute, with a dash of complicat
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
“Wheels,” as it pushes you into feeling nostalgic for a story that isn’t your own, creates a pleasing lull as you watch a young man fall in love and pursue being a DJ.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.