Operation Christmas Drop – Review/Summary (with Spoilers)
Like most holiday movies, “Operation Christmas Drop” isn’t going to be the best thing out there. However, it’s simple, based on a true military exercise, and family-friendly.
Like most holiday movies, “Operation Christmas Drop” isn’t going to be the best thing out there. However, it’s simple, based on a true military exercise, and family-friendly.
For those who like unconventional holiday movies, in this case, with cursing and a dysfunctional family, “Holidate” was made for you.
Despite a few painfully awkward moments, “Ellie and Abbie (And Ellie’s Dead Aunt” does ultimately give you what you need from it.
Exes Baggage presents your usual will they or won’t they drama as you become so invested in the leads’ relationship you feel as if they must end up together.
In what may feel like a prequel to “Shiva Baby,” Rachel Sennott is joined by Madeline Grey DeFreece for another awkward funeral situation.
Dancing on the tightrope between cringe and funny, “Shiva Baby” presents Rachel Sennott as someone on the cusp of mainstream fame.
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
“Were You Gay In High School” has the quality and appeal of something you’d think was released on Wong Fu’s YouTube channel due to its comedy and heart.
Set to the song “And Then She Kissed Me” by St. Vincent, the short, sharing the song’s name, is a sweet and quick romance made to make you swoon.
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
“Grand Army” with its socially mixed teens, all going through something, could be Netflix’s next big teen/ young adult series.
“2 Hearts,” at times, may feel like a TV movie that somehow made it to the big screen, but that doesn’t mean it won’t get you in your feelings.
Like the dying process, “Ms. White Light” has its good moments and bad moments, but ultimately ends with a whisper.
“Walk Away From Love,” strangely, avoids some of the usual tropes you’d expect, but whether that makes it better or not? Well, read on.
While there is some ecchi for those who need it, largely “Adachi and Shimamura” keeps things cute, with a dash of complicat
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
“Wheels,” as it pushes you into feeling nostalgic for a story that isn’t your own, creates a pleasing lull as you watch a young man fall in love and pursue being a DJ.
The anthology series, “Soulmates,” begins with the question: If science could possibly provide you with a soul mate, would you take the test and take the leap of faith?
“Spontaneous” is one of the rare films that aims to make you laugh, feel, and connect that, for the most part, succeeds in everything it set out to do.
While “Rent A Girlfriend” began with the possibility of being more than another male fantasy anime, it shifts to being what was expected.
“Whipped” may feel longer than it needs to be and has an unnecessary twist, but the end result is what you hope for and expect.
While P-Valley takes a while to get its groove, and has misplaced focus with its characters, by the end you’re hooked.
As The Chi continues to prune and grow, you can see it is fearless as it pursues avoiding routine and stagnancy.
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
While it does follow the usual romantic comedy conventions, between Viswanathan as lead, and the multiple scene-stealing supporting cast, you’ll love The Broken Hearts Gallery.
If you don’t have a compromised immune system and the people in your community aren’t reckless, Words on Bathroom Walls is the perfect reason to head back to theaters.
Love, Guaranteed, starring Damon Wayans Jr. and Rachel Leigh Cook, may not become anyone’s go-to romantic comedy, but it’ll undoubtedly be in Netflix’s top 10 for a few weeks.
What if the roles were reversed and members of the African continent conquered Europe? Would things be different, better even, or just the same?
The first half of Lucifer’s 5th season reminds you how procedural storylines impede greater development of characters, no matter what the show.
In the final season of Trinkets you can see there was so much left to cover, but the writers salvaged what plans they could.
In the last play Tyler Perry portrays Madea, we get one final reminder of why, despite some controversy, Madea is a renowned figure.
Chemical Hearts is draining, in the best way, as it takes you through the emotional toll of not just healing, but shedding your childhood and expectations.
Season 2 of “The Umbrella Academy” still has a villain problem, but with heading to the 60s comes a new timeline to save and blessed characters.
The Spring We Never Had is classic Wong Fu which gets you so emotionally invested that when things don’t head towards the ideal, you will yell at your screen.
Unless you’ve grown tired of this new sub-genre of Black horror, mainly focused on the psychological effects of racism, you’ll find Lovecraft Country to be a wild ride.
“We Hunt Together,” seems like your usual, these two are criminals, these two are cops, let’s see how long it’ll take for the bad guys to get caught.
Liza Koshy & Sabrina Carpenter star in a dance movie that has a few kinks but is it overall enjoyable?
“Almost Love” is good enough to get you invested into the characters, but not to the point of pushing everyone you know to see it.
While it’s two hour time length makes it lag in some parts, by the end of “The Kissing Booth 2,” you are left wondering when is the next one?
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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