In Passing (2023) – Movie Review and Summary (with Spoilers)
Work can often get in the way of romance, especially when survival is more paramount than quality time.
Work can often get in the way of romance, especially when survival is more paramount than quality time.
While tediously as long as its predecessor, “Through My Window: Across The Sea” still works well as “365 Days” young adult counterpart.
“The Perfect Find” makes a decent romantic comedy once it moves past its ageism and misogynoir jokes.
“Our Son” presents a shift in Billy Porter’s career from being the loudest in the room due to his booming voice to being the most notable due to his performance.
“Bottoms” might be one of the first notable dark-humor teen sex comedies that don’t feel like a female version of something you saw before.
Beautiful and slow-moving, “Past Lives” reminds you that love is often a series of decisions that inspire feelings, not the other way around.
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
While at times slow-moving, the love story between Rosemary and Henry will make you swoon, just as much as Michael Richardson plays up a tortured soul type.
“Robots” is a forgettable comedy that seems to yearn for when men got to be funny and women were meant to be seen and buzzkills.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.