Egghead & Twinkie (2020) – Review/ Summary (with Spoilers)
Coming out isn’t always a delicate procedure, as shown in “Egghead & Twinkie.”
Coming out isn’t always a delicate procedure, as shown in “Egghead & Twinkie.”
Like the dying process, “Ms. White Light” has its good moments and bad moments, but ultimately ends with a whisper.
“Walk Away From Love,” strangely, avoids some of the usual tropes you’d expect, but whether that makes it better or not? Well, read on.
“Wheels,” as it pushes you into feeling nostalgic for a story that isn’t your own, creates a pleasing lull as you watch a young man fall in love and pursue being a DJ.
While “The Never List” deserves props for not making sex the key to its lead coming of age, it barely presents anything beyond wasted potential.
“A Long Time Coming” explores the complexities of Asian Americans and an older generation’s perspective on the Black Lives Matter protests.
The Owners is strange in so many ways, but not enough to scare you, creep you out, or be notable.
I want you to imagine a documentary in which the subject goes out of their way to go against everything agreed upon and is hellbent on chaos. That’s DTF.
All Roads to Pearla has all the ingredients necessary to have some element of shock to it, but they just don’t come together as you need them to.
The Spring We Never Had is classic Wong Fu which gets you so emotionally invested that when things don’t head towards the ideal, you will yell at your screen.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.