Audrey (2025) Review & Summary
Audrey is bizarre, usually in the best way, but sometimes it does veer towards doing the most and potentially ruining what it was doing so well at.
Audrey is bizarre, usually in the best way, but sometimes it does veer towards doing the most and potentially ruining what it was doing so well at.
In Mumu, the father-daughter relationship will bring you to tears, as the title character advocates for her deaf father and their community.
While reminding us that villains often have better stories than heroes, The Ugly Stepsister also creates empathy for those who didn’t feel enough.
The Comic Shop is a reminder that the utmost importance in life is finding your people.
“Bunnylovr” presents subtle and tame in ways that indeed are not for everyone.
“Disfluency” delivers a nuanced take on a devastating life event in ways that remind you there is no one way you must handle things.
“I Feel Fine” lulls you into the sense that this will be like any other coming-of-age movie, leading to the gut punch of realizing this is a film that may not have a happy ending.
With mixed results, “Good Side of Bad” seeks a less embellished version of experiencing a mental illness or supporting someone that does.
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
Dylan Sprouse stars as a veteran who is caught in a terrorist attack on American soil, trying to keep his little sister from being killed in action.
“Gazer,” thanks to its writing and lead, Ariella Mastroianni, keeps you engaged through its nearly two-hour mystery/investigation as a multitude of questions pop up.
“Cabo Negro” gives you a slice of life take on being queer and Muslim, but it may not have what many need to want to watch the full film.
“Carnage For Christmas” gives you a campy horror movie that may have notable visuals, but some may find it lacks substance.
“Young Hearts” delivers the type of innocent, first love you rarely see since most LBTQ+ romances are about kids well into their teens who see the pinnacle of any potential relationship as having sex.
In “Rookie,” we watch a sports story which makes the leads’ attraction only part of the story.
“Hoard” may not use its two hours to the best of its abilities, but star Saura Lightfoot-Leon will keep you engaged throughout.
Starring Nick Jonas and Alexandra Shipp, we watch a young man romances one woman while he mourns, with his family, the death of his mother.
In this short film starring India Amateifio of “Queen Charlotte,” Cat Burns’ music is used as inspiration to introduce us to a set of young adults, some of whom are going through it.
Featuring Peyton List, “The Inheritance” delivers a lot of familiar characters, and a well-tread story, but does give a certain creepiness factor.
In this movie featuring Indigenous people and stories, a young woman played by Isa Antonetti, is trying to adjust to her new foster home as her girlfriend is kidnapped by people from her past.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.