Ghost Killer – Review
A young woman, vulnerable and to a point defenseless, comes across the bullet casing that killed a hitman, and by touching it, she finds herself becoming his medium for revenge.
A young woman, vulnerable and to a point defenseless, comes across the bullet casing that killed a hitman, and by touching it, she finds herself becoming his medium for revenge.
Wonderfully mad, Killing Mary Sue, is the type of action comedy that deserves every synonymous word to bizarre it clearly wanted to achieve.
Last Swim will bring you to the brink, tease even, and make you wish you got all the details one day couldn’t possibly cover.
Bird in Hand presents several opportunities for meaningful conversations, but often sidesteps them—without quite offering enough humor to make up for what’s missing.
Rosemead goes beyond giving Lucy Liu a rarefied role and highlights mental health in the Asian community as rarely seen.
Cuerpo Celeste challenges viewers immensely as it hooks you in with the sense of community it presents, and then forces you to yearn and mourn what it initially sold you on.
The Travel Companion travels light in regards to giving you something, or someone, you’ll actively want to invest in for an hour and a half.
Sisters, in showing both chosen family and blood family, and the unique benefits and liabities of both, reminds you why both are necessary.
“Wildflower” starring Kiernan Shipka was released almost two years ago and like many touching films, it was based on a true story. “Wildflower – The Documentary” gives you that true story.
Liquor Bank carries weight as it puts you either in the mindset of the person at the end of their rope, or the person trying to pull their friend up – who is losing grip.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.