Best described as coming-of-age body horror, Hatching is just as much about the monster as an independent thing as its connection to the lead.

Pompo The Cinephile is an ode to anyone who has a dream who sacrificed for it, and were ready to settle when they thought their dream was soon to die.

Moon Manor is a beautiful, quirky film that discusses the serious topic of death in a way that still manages to be lighthearted and comedic.

While Help does make you raise an eyebrow about what’s going on, I wouldn’t say the ending gives you the payoff you desire.

Student Body is bloody, vulgar, and ridiculous. But whether or not it is in the best way? That’s hard to say.

Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.

At a wake for a mutual friend, the most estranged of the four seeks out the dead friend’s now ex.

An older lesbian, who was at the forefront of the activism for LGBT+ equality, finds herself getting to see the fruits of her labor through the youth.

An older man, who has somehow seduced a high schooler, takes advantage of cultural and religious customs and values to coerce a meeting.

In this unfolding mystery, you may find yourself underestimating what will happen – thus leading to your mouth gaping by the end.