Little Deaths (2024) – Written Review
In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
In “Little Deaths,” we watch the ebb and flow of a relationship plagued by a disease that doesn’t cause a lockdown but certainly puts immense stress on a delicate relationship.
“Humanist Vampire Seeking Consenting Suicidal Person” uses people’s love for vampires as a hook, but maintains your attention through its sweet, comical, and awkward characters.
In “Kill Your Lover,” we get a literal depiction of a toxic relationship as a couple finds themselves at a crossroad with one wanting to work things out and the other wanting to leave.
Starring MacKenzie Davis and Christopher Abbott, between them we watch a increasingly estranged couple, potentially towards the end of their relationship, try to enjoy a vacation featuring a young woman enamored by Abbott’s character.
Starring Margaret Cho and Kenneth Choi, in “All That We Love,“ we watch as an estranged ex husband and father with the best/worst timing, tries to reconcile with his ex wife and daughter.
As two long time friends, deal with how they have become estranged, one is dealing with the weight of pending fatherhood, which is leading them to become an anxious mess.
Starring Natalie Dormer and Naomi Harris, prepare for twists, reveals, and a shocking ending that reminds you the writing needs to match the performances for any surprises to work.
Three brothers, mourning their mother, are tasked with creating a machine that could bring her back. However, as they make progress, things and people end up sacrificed.
Friends with secrets and drama between them begin to get killed off right before an infamous music festival.
Starring Elizabeth Banks, we watch as a doctor handles the death of a patient from her protégé’s guilt, the administration’s desire to lessen the blow, to parents who just want answers.
In a multi week spanning movie, Farrah tries to navigate her feelings and frustrations as another wave of COVID hits, as well as the realization some of her relationships might be over.
Starring Yu Aier, a housewife slowly watches her world fall apart and finds herself in constant search for something to grab onto that will hold her up.
“Love Kills” loses its luster as you figure out it is using sex and violence to compensate for a lackluster story.
In “Guy Friends,” a young woman discovers, despite thinking she is a guy’s girl, she’s really just someone multiple guys are waiting for their chance with – and they all make a move when her relationship goes awry.
Starring Elliot Page, known for “The Umbrella Academy”, in this NewFest Pride release, Page plays a transman returning home for the first time in 4 years since transitioning and dealing with their friends and family awkwardly trying to reintegrate back into his life.
Starring Mark Clennon, based on the experience of director, writer, and editor M.H. Murray, in this theatrical release, we experience the aftermath of a man being assaulted.
While you may think “Wildcat” is a biopic, more so, it is a series of short stories by Flannery O’Connor linked up and barely featuring the writer in a notable capacity.
“Asleep In My Palm” is one of those movies that drop you into a character’s life, doesn’t make much of a push to catch you up, and instead leans towards you seeing someone as they are.
“The Brink Of” may have a few catchy indie pop songs, but the will they or won’t they at the heart of it may not win too many over.
In “Parachute,” we’re reminded how love and romance isn’t a cure but sometimes a drug to alleviate symptoms.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.