The Fix (2024): Review and Summary
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
“The Fix” is a reminder that sci-fi productions don’t always need a major backer to look good and hold something compelling.
Dylan Sprouse stars as a veteran who is caught in a terrorist attack on American soil, trying to keep his little sister from being killed in action.
“Gazer,” thanks to its writing and lead, Ariella Mastroianni, keeps you engaged through its nearly two-hour mystery/investigation as a multitude of questions pop up.
“Cabo Negro” gives you a slice of life take on being queer and Muslim, but it may not have what many need to want to watch the full film.
“Carnage For Christmas” gives you a campy horror movie that may have notable visuals, but some may find it lacks substance.
“Young Hearts” delivers the type of innocent, first love you rarely see since most LBTQ+ romances are about kids well into their teens who see the pinnacle of any potential relationship as having sex.
In “Rookie,” we watch a sports story which makes the leads’ attraction only part of the story.
“Hoard” may not use its two hours to the best of its abilities, but star Saura Lightfoot-Leon will keep you engaged throughout.
Starring Nick Jonas and Alexandra Shipp, we watch a young man romances one woman while he mourns, with his family, the death of his mother.
In this short film starring India Amateifio of “Queen Charlotte,” Cat Burns’ music is used as inspiration to introduce us to a set of young adults, some of whom are going through it.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.