Come Away (2020) – Review/ Summary (with Spoilers)
If you came to this film hoping for a Black version of Alice In Wonderland and Peter Pan, prep to be disappointed.
If you came to this film hoping for a Black version of Alice In Wonderland and Peter Pan, prep to be disappointed.
“The Craft: Legacy” pushes you to feel it didn’t need its predecessor for anything besides name recognition.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
Magic, guns, swords, an empire dealing with rebel forces, and two people sucked into the madness on opposing sides, “Magatsu Wahrheit: Zuerst” seems promising.
“Vampires vs. The Bronx” lovingly expands the horror genre, with its charming cast but misses key opportunities to leave a mark.
Like “Ne Zha,” “Jiang Ziya” feels like an epic that can appeal to children but doesn’t lose the adults watching in the process.
“Secret Society of Second-Born Royals” won’t ease your MCU fix, but it’s good enough on its own to want to see more.
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
Freaks – You’re One of Us lays the groundwork for a potential superhero franchise, just on a smaller scale than what we often see.
The first half of Lucifer’s 5th season reminds you how procedural storylines impede greater development of characters, no matter what the show.
Season 2 of “The Umbrella Academy” still has a villain problem, but with heading to the 60s comes a new timeline to save and blessed characters.
Unless you’ve grown tired of this new sub-genre of Black horror, mainly focused on the psychological effects of racism, you’ll find Lovecraft Country to be a wild ride.
Yet another adaptation of “The Secret Garden” has arrived! But, is this one worth watching?
While “Servant” sometimes feels like a mini-series that went on too long, with each major reveal, it renews interest and keeps you wanting more.
While it may not be what die-hard fantasy fans want or need, there is enough in “Cursed” to hold you over until something with a bit more oomph comes around.
While a breeze to watch and with good chemistry from its leads, laughs are few with “Palm Springs.”
“The Old Guard” gives you the summer blockbuster you’d expect to see in theaters from the comfort of your home.
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.