Share (2019) – Summary, Review (with Spoilers)
Share takes a different path when it comes to fleshing out its narrative and reminds you that you cannot own or narrate the story of someone else’s trauma.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Share takes a different path when it comes to fleshing out its narrative and reminds you that you cannot own or narrate the story of someone else’s trauma.
The Boys gives us Greco-Roman style god-like heroes, and reminds us of the dark side the MCU and DCU don’t show.
The Farewell is a classic. An undeniable, this deserves any hype it gets, needs to be used as an example in film study classes, kind of classic.
Lying and Stealing is a quick film which may not leave a lasting impact but is a pleasant way to kill an hour and a half.
Secret Obsession doesn’t contain a single secret the trailer doesn’t reveal, or you couldn’t guess.
We Belong Together, like most “That woman is crazy!” films, doesn’t make said woman a complicated figure but more so a generic replica of what you’re already familiar with.
While Summer Night may feel like it has one too many relationships going on sometimes, you’ll find yourself invested in the happiness of nearly every character.
Saving Zoe is an emotionally stirring drama which goes beyond finding closure but reconciling with someone you allowed to be distant.
Black & Privileged: Volume 1, may have some campy performances, but it’s message outweighs what may make you divisive.
Made In Malta shows why closure is so difficult to obtain and perhaps is best left to fiction and dreams.
Silent Panic may feel a bit like a bait and switch, but that doesn’t mean you won’t come to enjoy what you’re ultimately given.
While The Rook seems like it could be intriguing, it faces an uphill battle by being everything we’re not used to when superheroes are involved.
While many of the stories end at their peak, lack closure, and barely feel about Berlin, Berlin, I Love You, still reminds you why this long-running series continues.
The Rising of the Shield Hero, despite early on potential, mostly thanks to its tone of drama, loses quite a bit of luster by its last episode.
While it has a bit of a rough patch an hour in, for the most part, Adolescence is a touching drama with a good amount of heart.
Vs. is a surprisingly speedy drama which comes in, gets you emotional, shocks you with the rhymes the lead actor spits, and sends you on happy and satisfied.
The Bold Type remains a flagship program for FreeForm as it explores mature takes on relationships, continues to develop the ladies, and addresses workplace issues.
While Years and Years starts on a high note, as you grow indifferent over the future the characters go through, it pushes you to realize how complacent you’ve become of your own.
Season 2 of The Chi, despite issues caused by Jason Mitchell, retains the vibe of being a high-brow urban drama which balances both the dark and beauty of an urban area.
Point blank: There is little to nothing freaky about Kinky and it doesn’t compensate being a soft R with its characters or storyline.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.