Motherland – Fort Salem: Season 3 – Summary/ Review (with Spoilers)
The final season of “Motherland: Fort Salem” acts as a reminder that some shows are better off cancelled outright than given one last hurrah.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
The final season of “Motherland: Fort Salem” acts as a reminder that some shows are better off cancelled outright than given one last hurrah.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
In “Jane,” we’re reminded of the desperation high school seniors have to get into the right school, get the right job and have the lives they desire.
“The Invitation” is the type of film ruined by a trailer that gives everything away, and the film does not compensate for that.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
“Mike” is so good that it is unfortunate that it doesn’t involve or is supported by Mike Tyson.
In “The Immaculate Room,” a couple is challenged with being together in a room for 50 days with no distractions, and it unfortunately is as boring as it sounds – but it didn’t have to be.
Season 2 of “P-Valley” does not experience a sophomore slump as it cuts away from its less interesting characters and doubles down on the ones who’d bring you down to the valley.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
Netflix’s reigning softcore porn franchise returns with a new entry focusing more on Laura than the men she loves and lusts after.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.