The Chi: Season 7 – Review and Summary
The Chi continues to struggle in trying to manage a large cast, do each of them justice, and not only live up to its potential but present long-term possibilities.
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
The Chi continues to struggle in trying to manage a large cast, do each of them justice, and not only live up to its potential but present long-term possibilities.
In She Rides Shotgun, Taron Egerton escorts Ana Sophia Heger to prominence in a father/daughter crime drama with notable action scenes.
The Dutch franchise may have hit its third movie, but it seems like this story is far from over.
Wonderfully mad, Killing Mary Sue, is the type of action comedy that deserves every synonymous word to bizarre it clearly wanted to achieve.
The requel of I Know What You Did Last Summer struggles to do what most horror films need to in order to revive a franchise.
Sovereign takes a news story and fleshes it out in such a way which feels more geared towards entertainment than taking the situation seriously.
Ride or Die finds its greatest strength in Stella Everett’s performance, but it struggles to move beyond the appearance of sensationalism.
In Cold Light, while it sets up an intriguing film focused on an ex-con tempted with returning to their old ways, ends up leaving audiences cold.
Pinch explores the continued struggles women face in being believed when men, often assumed to be the good ones, behave badly.
Clown In A Cornfield is the type of horror comedy that can get a bit corny or campy at times, but if you live for blood, guts, awkward moments, sarcasm, and eyebrow-raising, this is for you.