Sovereign (Tribeca 2025) Film Review & Summary
Sovereign takes a news story and fleshes it out in such a way which feels more geared towards entertainment than taking the situation seriously.
Crime
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
Ride or Die (Tribeca 2025) Film Review & Summary
Ride or Die finds its greatest strength in Stella Everett’s performance, but it struggles to move beyond the appearance of sensationalism.
In Cold Light (Tribeca 2025) Film Review & Summary
In Cold Light, while it sets up an intriguing film focused on an ex-con tempted with returning to their old ways, ends up leaving audiences cold.
Pinch (Tribeca 2025) Film Review & Summary
Pinch explores the continued struggles women face in being believed when men, often assumed to be the good ones, behave badly.
Clown In A Cornfield (2025) Review & Summary
Clown In A Cornfield is the type of horror comedy that can get a bit corny or campy at times, but if you live for blood, guts, awkward moments, sarcasm, and eyebrow-raising, this is for you.
Another Simple Favor (2025) Review & Summary
While the banter between Lively and Kendrick remains a high point, Another Simple Favor falls apart when it no longer is building to something but has to actually deliver the goods.
The Accused (2025) Review & Summary
“The Accused” may contain interesting ideas, but it lacks the characters and story to execute them.
Drop (2025) Review & Summary
“Drop” wastes a perfectly good romance for a so-so thriller that has a decent mystery element and backends all the action seen in the trailer.
The Amateur (2025) Review/ Summary
“The Amateur” may not feel as long as it is, but it is certainly forgettable, despite the names involved.
Borderline (2025) Review
A mix between taking advantage of how much Ray Nicholson looks like his father and the name recognition of Samara Weaving only to make Alba Baptista the most interesting part of “Borderline.”
