A Talent for Murder (2026) – A Coming-of-Age Story Shaped by Psychological Games
Helen Mirren revises the mentor-and-elder role in this coming-of-age psychological drama as her character tries to make a man out of Alden Ehrenreich’s Edward Ridgeway.
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
Helen Mirren revises the mentor-and-elder role in this coming-of-age psychological drama as her character tries to make a man out of Alden Ehrenreich’s Edward Ridgeway.
Brad Bird leaves the kids at home with Ray Gunn, but while the futuristic noir is entertaining, its story is oddly too predictable.
Furious uses expectation to get its foot in the door, then circumvents it, often leading to positive results.
Colony both champions a new kind of zombie horror and shows why there is a glass ceiling for zombie evolution.
Idiots starts off with the perfect trio for a wild adventure, but those they meet may complicate your enjoyment.
While The Wrong Girls is very much a stoner comedy, the comedy part is HIGHLY subjective.
The combination of Kevin Hart, Marcello Hernández, and Kam Patterson delivers one of Hart’s funniest movies in years with 72 Hours.
Her Private Hell doesn’t do weird in such a fashion that it feels like a lived-in world, leaving you with much of the film feeling underdeveloped.
Motor City cracks the code on how to make a unique action movie and sidestep the usual weak points many struggle with.
Netflix releases a new narrative game that, thanks to having to use your phone to maneuver around, quickly gets frustrating.