Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
In “A Haunting In Venice,” Hercule Poirot returns and makes it clear that, while the third movie starring the character, there is the potential for a James Bond-level number of movies starring lead and director Kenneth Branagh.
Netflix’s “Burning Body” tells the spicy story of Rosa Peral, but fizzles out halfway through.
“What Happens In The Dark” shows some signs it could have been interesting, but instead, it is lukewarm thanks to a lack of information about what’s going on, how we got here, and who is dishing out the consequences.
Denzel Washington makes what is likely to be his final return to “The Equalizer” franchise, and while he shows he still has it, the film doesn’t present much to show why this film needed to become a trilogy.
“Midnight Hustle” may not tap into its full potential, but what it does offer someone may find interesting.
“Retribution,” without question, is very on-brand for Liam Neeson, but with his character stuck in a car and not fighting anyone, he channels his trademark intensity in a different way.
“Ruined” fits the bill of the crazed light skin person whose desires for one half of a married couple lead to them becoming so crazy they are willing to kill.
As long as you are just looking for a Boomer to kill some millennials, you have come to the right place. If you want more than just that, this may feel too barebones.
While “Mad Fate” is bizarre and makes an effort to keep up a high level of energy as you are led to wonder when, or if, its lead may snap and kill again, after a certain point, it becomes a bore.
In this soap opera styled movie, there are so many twists, turns, surprises, and betrayals that, while you’ll be able to keep up, you might be left exhausted.
The mystery in “City On Fire” of who shot Sam, thanks to Chase Sui Wonders, keeps you interested in the show as it struggles to build up its supporting cast.
“Sisters” rushes through most of the sisters’ struggles and even the crimes they try to commit to get themselves out of succeeding bad situations.
“Big Nunu’s Little Heist” is a South African gem of a movie.
“The Baker” entertains throughout its run time but is ultimately forgettable.
Jim Cavaziel auditions to be Liam Neeson’s successor as he takes on becoming the savior for children kidnapped and put into the sex trafficking industry.
This is a character guide for Crunchyroll’s “Undead Murder Farce,” with character descriptions, quotes, names of actors, and more.
“Fear The Night” is for those who want a simple action movie where you watch a woman whip a lot of ass without using a gun.
“The Horror of Dolores Roach” boasts a great cast ready to bite into the show’s bloody premise, but its tone shifts into systemic problems and landing a second season ruin a potentially good single season.
Netflix’s “Fatal Seduction” is a South-African soap opera that’s filled with plenty of spicy sex scenes, but not enough excitement in its murder mystery.
“The Out-Laws” is a pleasant “watch because it is new, and you feel you’ve watched everything else” movie.
“Murder City” is a movie with fine actors and cinematography that’s in search of a more riveting story.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
Tragic and graphic, “The Angry Girl and Her Monster” causes the kind of combative feelings that make it something you have to experience for yourself.
“The Line” is a wonderful showcase for Austin Abrams’ talent as it wastes both Halle Bailey and Angus Cloud.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
Season 2 of the five-season planned “Yellowjackets” drags early on and seems imbalanced between the past and present, but does end on a high note.
“The Wrath of Becky” largely delivers what is to be expected—a sarcastic, violent, teenage girl killing nationalists who underestimate her.
While “Mother’s Day” has a big personality character and decent action scenes, it lacks the emotion, adventure, or drive necessary to keep it from becoming background noise.
A character guide for Apple TV+’s “City On Fire,” with character descriptions, quotes, names of actors, and more.
Margaret Qualley presents a dictionary-worthy depiction of mind f*** that deserves notice.
“Double Life” should have gone through a double edit to make a memorable thriller.
In the pursuit of the next “Half Baked” or “How High,” MTV presents its latest attempt to make a classic in “Pretty Stoned.”
“To Catch a Killer” needs to catch one message and stick to it in a pretty but meandering crime story.
While”Beautiful Disaster” may appear like another strange, bad boy with potential story, it is far better than the movies you’d want to quickly compare it to.
“Mafia Mamma” doesn’t feel like a theatrical release but rather a movie you’d expect to be released on a streaming platform.
Beef is fun, frustrating, and always fascinating due to raw performances from Steven Yeun and Ali Wong.
A summary of how “Safe Word” (2023) ended and whether a prequel or sequel is possible.
“Safe Word” may have the occasional spicy BDSM moment, but it, unfortunately, plays up the stereotypes that those into kink are mentally ill.
Jealous teens, dead ends, and music montages make up an underwhelming School Spirits.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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