Fear Street (Part 3) – 1666 – Review/Summary (with Spoilers)
Fear Street: Part 3 (1666) is the perfect ending to the horror trilogy and will make you hope more trilogies resolve as quickly as this one did.
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
Fear Street: Part 3 (1666) is the perfect ending to the horror trilogy and will make you hope more trilogies resolve as quickly as this one did.
Externo, while at times tapping on that line of being too art-house, presents a compelling journey as one man vies to take over the world.
For what is one of Batman’s legendary stories, Batman: The Long Halloween seemed rather run of the mill.
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Separation tones down the jump scares and rather focus on a creepy set of monsters and its story of revenge.
In this 30-minute horror story, a young man is caught in the loop of a cop killing him in a multitude of ways.
At times, Voyagers is the teen romantic drama you didn’t know you needed. Yet, with not always being scientifically sound and not using some characters to their fullest – it does falter.
Redo of Healer is your classic, starts off violent and shocking, but as you become adjusted to the sex and violence, you realize there isn’t much there.
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The second season of Double Cross improves on the first, thanks to Robin’s inclusion and the Detective Ryan hell-bent on justice.
Though its film franchise doesn’t even have a 3rd movie, The Equalizer has again been remade, but this time as a series – one that Queen Latifah puts her own spin on.
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
If you thought McG’s The Babysitter series was over the top and crazy, Manuel Crosby and Darren Knapp respond with “Challenge accepted” with First Date.
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American Skin is a confrontational film. One which confronts your views of police, their victims, and the perspectives the police bring based in fear and a righteous sense of duty.
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The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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