Missing (2023) – Review/ Summary (with Spoilers)
“Missing,” a pseudo-sequel to 2018’s “Searching,” is the kind of mystery/ thriller that gets your heart pumping and glued to the screen like a kid watching Cocomelon.
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
“Missing,” a pseudo-sequel to 2018’s “Searching,” is the kind of mystery/ thriller that gets your heart pumping and glued to the screen like a kid watching Cocomelon.
“Door Mouse” has cult classic workings that will make it a favorite amongst a niche group, but it may struggle to make a blip in a sea of video-on-demand releases.
While the visual and sound effects for action scenes may deserve a side eye, there is so much going on with the story that you might be willing to forgive the flaws in “Imani.”
“High Heat” delivers, mainly thanks to its notable kills, but certainly not its comedy.
“As Good As Dead” is yet another movie which makes you question why Michael Jai White isn’t a bigger action movie star?
In the first adaptation of Anne Rice’s Vampire Chronicles in serial form, race swapping isn’t the only notable thing about AMC’s version of “Interview With The Vampire.”
In this supernatural crime thriller, Martin Lawrence may not take a career turn like his peers, but he does find himself in one of his best productions in years.
“Reasonable Doubt” is the child of the Blackness Mara Brock Akil put into “Girlfriends” mixed with the drama Shonda Rhimes popularized for crime dramas.
The second season of “The Cleaning Lady” is a prime example of a sophomore slump, as it struggles to keep the focus on Thony, as her storyline drags out, and others try to emerge.
“Let The Right One In” completes its first season with few blemishes as it presents an emotional story with violence, love, and sacrifice.
“The White Lotus” tries to use the same formula from season 1, with all but two characters, Tanya and Greg, being new, and it leads to mixed results on occasion but still a relatively entertaining season.
Somehow, “Violent Night” finds a way to be flinch-worthy violent, consistently comical, and even stir up your emotions.
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“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
The third adaption of John Ajvide Lindqvist’s novel brings a heart not seen as strong in the previous movie adaptations.
Modernized in some ways but keeping the core story intact, we watch Louis again recounting meeting Lestat in an adaptation that struggles against its predecessors.
While “Mike” is an unauthorized bio-series of one of the greatest known boxers, it sets such a precedent that it’ll be hard to imagine an authorized version topping it.
While legal dramas seem to come every season and are rather just the same, because “Reasonable Doubt” isn’t afraid to lean into its lead’s culture – it is strikingly different.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.