Charm City Kings (2020) – Review/Summary (with Spoilers)
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
“Wheels,” as it pushes you into feeling nostalgic for a story that isn’t your own, creates a pleasing lull as you watch a young man fall in love and pursue being a DJ.
With a basic foundation rooted in rogue AI and familiarity, while “neXt” doesn’t make a splashy introduction, it shows potential.
“Cut Throat City” has noted performances from T.I. and Terrance Howard but, as for the rest of the movie…
When it comes to “Enola Holmes,” it never escapes its association with Sherlock Holmes, and thus struggles with establishing itself beyond Sherlock’s shadow.
The Paramedic is a stern reminder of why closure isn’t needed, no matter what your ex says. Take what you can, and DON’T LOOK BACK!
As The Chi continues to prune and grow, you can see it is fearless as it pursues avoiding routine and stagnancy.
I want you to imagine a documentary in which the subject goes out of their way to go against everything agreed upon and is hellbent on chaos. That’s DTF.
The first half of Lucifer’s 5th season reminds you how procedural storylines impede greater development of characters, no matter what the show.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
“We Hunt Together,” seems like your usual, these two are criminals, these two are cops, let’s see how long it’ll take for the bad guys to get caught.
While “The Tax Collector” may give you your fix if you’re looking for a violent movie, it doesn’t have much else to offer.
In this over two hour epic, you watch a young man play the long game in ways that will stun you and leave you thinking, “It can’t end like this?”
While “Hightown” struggles to find its groove at first, after discarding a few storylines and characters, it picks up the pace and becomes a reason to subscribe to Starz.
“Fatal Affair” is tame, predictable, and lacks any sort of chemistry between its lead actress and her co-stars.
“I May Destroy You” presents far more than a narrative about navigating life post being raped. It is a conversation starter with a wide range of topics.
If a fan of Bella Thorne, you’ll see she is in her element when it comes to playing Arielle in “Infamous.”
While the central relationship between leads is as cute as can be, the adults who they investigate might be a bit much depending on the family watching.
“365 Days” tries to make Stockholm syndrome sexy and ends up just making a big-budget soft-core porn.
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
“Inheritance” may not be a fast-paced thriller, but it will still give you the kind of ending that’ll make your eyes blare and jaw drop.
With the spin of grief manifesting itself, “Body Cam” explores police brutality and the conflicting emotions of a Black female officer.
Issa Rae and Kumail Nanjiani are well paired in “The Lovebird” as their brands of awkward collide and create a chaotic romance.
“Double Cross,” undoubtedly, is one of the strongest shows released under UMC and will undoubtedly help their network gain traction like never before.
“Double Cross” in its premiere episode, thanks to Ashley A. Williams, will have you hooked and wanting more.
“Blood & Water” has potential, due to its kidnapping mystery, but whether it’s potential will be realized is hard to say.
Taking note of its criminal element, it’s ultimately the love we see blossom or renewed, that drives “Last Moment of Clarity.”
“All For Nikki,” as it goes from one bad situation to the next, goes on and on until it seemingly runs out of ideas.
“Dare Me,” as it explored the intimate relationships between a small town’s cheerleading squad, provides some of the best teen drama, not (originally) on FreeForm or Netflix.
It’s unfortunate “Scoob!” couldn’t be seen in theaters, for it might be one of the first Scooby-Doo movies in a while which deserved a theatrical release.
Between flinch worthy violence, Terry Crews and Ken Foree, alongside a handful of jokes, there is more good to say about “John Henry” than bad.
“Hightown” aims to hit all your crime drama needs with drugs, sex, murder, gangs, and a lead seeking a path of redemption.
“All Day And A Night” might become a classic considering how it explores the downfall of a young man who lives up to the legacy his father left behind.
Like many thrillers/horror shows, if not movies, “The Stranger” is pretty good until it needs to wrap things up.
Twist, turns, backstabbings, gunshots and more, all allow “Dangerous Lies” to not be the best film out there, but entertaining.
Thanks to savvy lawyers, justice has become ambiguous compared to how it used to be. However, someone decides enough is enough, and some people should die.
For those who like violence, with a touch of comedy, “Why Don’t You Just Die” was made for your viewing pleasure
“Selah and the Spades” begs for a revival as a series as it tries to cram so much into one experience.
With more than meets the eye, “She Never Died” moves beyond the violence as it pursues a redemption story.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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