Code 8 (2019) – Review/ Summary (with Spoilers)
“Code 8” gives a pleasant alternative to what the Marvel/DC brand has saturated the market with when it comes to superpowered humans.
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
“Code 8” gives a pleasant alternative to what the Marvel/DC brand has saturated the market with when it comes to superpowered humans.
As in previous seasons, Ozark may show Marty as the lead, but in reality, it is the women of the show who make it what it is.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
“Coffee and Kareem” is definitely something mad for those who don’t mind kids cursing or being part of, or around, violent, and sexual, situations for laughs.
“Pretty Little Stalker” will keep you engaged throughout its time length, but I can’t say it should be high up on your watchlist.
While the development of Jasmine is ace this season, the other elements of season 3 of “On My Block” are frustrating, inconsistent, or feel like a repeat of the past.
Between seemingly exploiting its lead having Asperger’s to an uninspiring mystery, “The Night Clerk” struggles.
In this coming of age tale, everything is about that one chance to make it and if things don’t come together, the worst happening.
In “For Life,” rather than be yet another courtroom drama where the cases seem to only matter that episode, we get a show in which each case is a building block for the future.
“Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” is part origin story, part reintroduction, and is of the ilk of Marvel’s “Deadpool.”
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
In the new Netflix mystery series, one person’s reveal of a mother’s lie and a bunch of teenagers having a wild night, unravel a family, and their community.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
Despite the time gap and this being the third entry into the franchise, “Bad Boys For Life” brings you what you’d want, what you’d expect, but not much more.
“Ana” is a cute movie that further proves Dafne Keen, of “Logan” and “His Dark Materials” fame, is likely to be first billing for decades to come.
Dead Kids is probably the most vulgar and violent Filipino movie featuring teens you may ever see – and it isn’t half bad.
After being pushed back twice, is 21 Bridges worth the wait or something that should have been dumped in the dead of the 2020 winter? Read on to find out.
A show/ character guide for USA Network’s Dare Me featuring who plays who, character descriptions, storylines, and general information.
Black and Blue is the rare combination of high octane, “That’s what I’m talking about!” moments and a sense of depth rare in action movies.
In The Thin Orange Line, we’re reminded how much a person’s childhood innocence still guides them when they are an adult.
In what feels like DC’s answer to Logan, Joker gets an origin story that reminds you why he is one of the top fictional villains of all time.
In the Shadow of the Moon is written more to be the start of a series than a singular movie – and it shows through its characters.
Prodigal Son allows Martin Sheen to step into the familiar role of charismatic killer, giving you what feels like a less pretentious, and less violent, Hannibal.
I Am Wrath feels like a watered-down Liam Neeson movie that lacks complexity, urgency or gives you any reason to feel attached.
Hustlers not only proves Constance Wu’s star power, but why Jennifer Lopez has been in the entertainment business for decades.
Season 2 of Elite brings you to question what are the long term plans for this series and whether the characters will make it worth it.
Season 1 of Carnival Row is ambitious and builds a wonderful world filled with lore, but the majority of its characters fail to really make that world come to life.
Thanks to the performances of Storm Reid and David Oyelowo, Don’t Let Go will have you crying and your chest tight due to fear.
Season 3 of 13 Reasons Why questions whether a serial rapist, and someone who nearly shot up a school, not only deserve to be redeemed but can be.
While the twist, and what comes after, in Running Out Of Time may leave you a little divisive, I’d submit Stokes and Houston are becoming better storytellers.
Lying and Stealing is a quick film which may not leave a lasting impact but is a pleasant way to kill an hour and a half.
BEM may not blow you away with its art style or characters, but it does create a world which you may want to see more of
Black & Privileged: Volume 1, may have some campy performances, but it’s message outweighs what may make you divisive.
Cop Craft drops you right in, with just enough to know what is going on, and that might be the best and worst part of the pilot.
While comical at times, Rebel Wilson’s style and Anne Hathaway’s, when it comes to comedy, more so clashes than compliments one another.
Native Son is the type of movie which will have you questioning its lead’s common sense throughout the whole damn movie.
Bronx SIU may not have the most interesting week to week cases, but it compensates with a sense of emotion that most procedural dramas don’t have.
While a bit of a bargain bin movie, that isn’t to say you may not get a kick out of Only Mine.
White Boy Rick seems to follow a worn out list of what “Based on a True Story” films must do and thus lacks anything to make this feel truly different from the rest.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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