The Rhythm Section (2020) – Review, Summary (with Spoilers)
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
Be it the criminal underworld, or taking on those who rule over it, the crime tag focuses on crime fighters or those who reign over the underworld. If not stories that heavily feature people breaking the law.
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
In the new Netflix mystery series, one person’s reveal of a mother’s lie and a bunch of teenagers having a wild night, unravel a family, and their community.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
Despite the time gap and this being the third entry into the franchise, “Bad Boys For Life” brings you what you’d want, what you’d expect, but not much more.
“Ana” is a cute movie that further proves Dafne Keen, of “Logan” and “His Dark Materials” fame, is likely to be first billing for decades to come.
Dead Kids is probably the most vulgar and violent Filipino movie featuring teens you may ever see – and it isn’t half bad.
After being pushed back twice, is 21 Bridges worth the wait or something that should have been dumped in the dead of the 2020 winter? Read on to find out.
A show/ character guide for USA Network’s Dare Me featuring who plays who, character descriptions, storylines, and general information.
Black and Blue is the rare combination of high octane, “That’s what I’m talking about!” moments and a sense of depth rare in action movies.
In The Thin Orange Line, we’re reminded how much a person’s childhood innocence still guides them when they are an adult.
In what feels like DC’s answer to Logan, Joker gets an origin story that reminds you why he is one of the top fictional villains of all time.
In the Shadow of the Moon is written more to be the start of a series than a singular movie – and it shows through its characters.
Prodigal Son allows Martin Sheen to step into the familiar role of charismatic killer, giving you what feels like a less pretentious, and less violent, Hannibal.
I Am Wrath feels like a watered-down Liam Neeson movie that lacks complexity, urgency or gives you any reason to feel attached.
Hustlers not only proves Constance Wu’s star power, but why Jennifer Lopez has been in the entertainment business for decades.
Season 2 of Elite brings you to question what are the long term plans for this series and whether the characters will make it worth it.
Season 1 of Carnival Row is ambitious and builds a wonderful world filled with lore, but the majority of its characters fail to really make that world come to life.
Thanks to the performances of Storm Reid and David Oyelowo, Don’t Let Go will have you crying and your chest tight due to fear.
Season 3 of 13 Reasons Why questions whether a serial rapist, and someone who nearly shot up a school, not only deserve to be redeemed but can be.
While the twist, and what comes after, in Running Out Of Time may leave you a little divisive, I’d submit Stokes and Houston are becoming better storytellers.
Lying and Stealing is a quick film which may not leave a lasting impact but is a pleasant way to kill an hour and a half.
BEM may not blow you away with its art style or characters, but it does create a world which you may want to see more of
Black & Privileged: Volume 1, may have some campy performances, but it’s message outweighs what may make you divisive.
Cop Craft drops you right in, with just enough to know what is going on, and that might be the best and worst part of the pilot.
While comical at times, Rebel Wilson’s style and Anne Hathaway’s, when it comes to comedy, more so clashes than compliments one another.
Native Son is the type of movie which will have you questioning its lead’s common sense throughout the whole damn movie.
Bronx SIU may not have the most interesting week to week cases, but it compensates with a sense of emotion that most procedural dramas don’t have.
While a bit of a bargain bin movie, that isn’t to say you may not get a kick out of Only Mine.
White Boy Rick seems to follow a worn out list of what “Based on a True Story” films must do and thus lacks anything to make this feel truly different from the rest.
Jet Trash is the kind of film where you feel like, if they just dialed it back a bit, it could have been much more satisfying.
In this coming of age, crime story, you get a little bit of everything. Forbidden romance, kid way in over their head, and the question of who will survive and will there be a happy ending?
I want you to imagine a 90s rap video with a big budget and an intro which goes on forever. That part of the video sums up Superfly.
Consider Hotel Artemis a vehicle for Sterling K. Brown and you’ll enjoy it. However, if you were expecting a compelling crime movie or something funny? Prep to be disappointed.
Oceans’s 8, while enjoyable, pushes the idea that Hollywood still doesn’t trust women’s box office abilities, no matter the talent involved, so they’d rather gender bend long-dormant properties.
Sadly, Terminal is the type of film which seemingly believes it is much smarter than you and has a mystery which doesn’t quickly unravel.
Little Woods may sell you on the idea of a bi-racial sisterhood, but it’s more so about critiquing the American health system vs. what Canada offers and the illegal market the discrepancy creates.
Daughter provides a bit of social commentary when it comes to respectability politics and whether women set themselves up to be raped or killed.
The play which evolved into a movie brings all you expect from its talented cast, as they pretty much stick to the type of characters they have become adept to playing and being surrounded by.
Red Sparrow is further proof that sexual content and violence cannot compensate for a lack of intriguing characters or story.