Ocean’s 8 – Recap/ Review (with Spoilers)
Oceans’s 8, while enjoyable, pushes the idea that Hollywood still doesn’t trust women’s box office abilities, no matter the talent involved, so they’d rather gender bend long-dormant properties.
Oceans’s 8, while enjoyable, pushes the idea that Hollywood still doesn’t trust women’s box office abilities, no matter the talent involved, so they’d rather gender bend long-dormant properties.
Brilliantly weird, comical and touching, somehow How to Talk to Girls at Parties taps into something absurd without getting lost in its own madness.
Deadpool 2 reminds you of what the comic book world was like before creating cinematic universes killed the fun and excitement.
Book Club, thanks to the veteran actresses who take lead, is touching, comical, and something you have to question: why is it so rare?
On one hand, The Kissing Booth can be seen as a conversation on a young woman’s autonomy. On the other, it is a simple, sweet, and kind of cheesy romantic comedy.
Tully is an ode to mothers who found a way to survive child rearing one way or another, even if it was by allowing themselves to go a little crazy.
It has been roughly a year since the events of the first book and now Leah is in the spotlight. Which may not be awkward for you but it is kind of awkward for her.
I Am Not An Easy Man takes the less worn route of the idea of the primary genders swapping to quite pleasing results.
Thanks to the chemistry of its leads and message about the pressure kids are under to get into college, Candy Jar sidesteps being just another quantity over quality Netflix film.
As Adam Sandler seemingly tries to combine his style of comedy with his more appreciated dramatic works, we get the very rough The Week Of.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.