Love and Monsters (2020) – Review/ Summary (with Spoilers)
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
The adventure tag features those who travel beyond their home, or hometown, to find themselves, others, or something of great value.
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
While “Raised By Wolves” starts off with so much promise, by the end of season 1, nearly every bit of its potential is lost.
Like “Ne Zha,” “Jiang Ziya” feels like an epic that can appeal to children but doesn’t lose the adults watching in the process.
“Secret Society of Second-Born Royals” won’t ease your MCU fix, but it’s good enough on its own to want to see more.
When it comes to “Enola Holmes,” it never escapes its association with Sherlock Holmes, and thus struggles with establishing itself beyond Sherlock’s shadow.
A film about a young woman trying to get an abortion and keeping it from everyone due to imposed shame – yet it is also a comedy.
I want you to imagine a documentary in which the subject goes out of their way to go against everything agreed upon and is hellbent on chaos. That’s DTF.
Freaks – You’re One of Us lays the groundwork for a potential superhero franchise, just on a smaller scale than what we often see.
Unless you’ve grown tired of this new sub-genre of Black horror, mainly focused on the psychological effects of racism, you’ll find Lovecraft Country to be a wild ride.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.