Operation Fortune: Ruse de guerre (2023) – Review/ Summary
While Aubrey Plaza sometimes seems out of place, especially when paired with Jason Statham, Hugh Grant immensely compensates.
While Aubrey Plaza sometimes seems out of place, especially when paired with Jason Statham, Hugh Grant immensely compensates.
“Conversations After Sex” may do itself a disservice by not naming its character or having different men play the lead’s lover, but it still delivers in many ways.
“Cocaine Bear” meets the expectations of madness you’d expect it to have.
“Somebody I Used To Know” may have a wonderful “Community” reunion and unexpected friendship worth investing in, but it doesn’t offer much beyond that.
“Your Place Or Mine” shows the beauty of a relationship being built on friendship, even if the friendship exists due to cowardice.
From the writers of “Family Guy,” “Crazy Rich Asians” and “Raya and the Last Dragon” comes a new comedy adventure set in Asia.
In the kind of girls’ trip you didn’t know you needed, “80 For Brady” shows how sports aren’t just about the big win but the communities they create.
Emma Roberts and Luke Bracey act as Trojan horses for a movie about love, companionship, and marriage after 60.
“Shortcomings” desires to push back against the spectacle of representation as it dives into the day-to-day conversations of an unlikable lead.
In this epic exploration of an Iranian Mother and her American-raised daughter’s relationship, you get a story that feels like a friend revealing a recent discovery of their family history to you.
“Sometimes I Think About Dying” is a dry and awkward romance that sometimes has moments of sweetness but is often tiresome to watch.
“Door Mouse” has cult classic workings that will make it a favorite amongst a niche group, but it may struggle to make a blip in a sea of video-on-demand releases.
While I don’t think anyone was asking for a “House Party” remake, you’ll be glad we got one.
“A Man Called Otto” is the perfect way to end 2022, especially if you need a good cry.
“High Heat” delivers, mainly thanks to its notable kills, but certainly not its comedy.
“Babylon” has wonderful lead characters with potentially engrossing storylines, but it feels so bloated, thanks to putting them together and being three hours long.
“Whitney Houston: I Wanna Dance With Somebody” will make you forget the countless TV movies that predates it.
“Atlanta” ends its run without any desire to conform to the expectations of a final season, as it continues to have a loose arc for its characters.
“The White Lotus” tries to use the same formula from season 1, with all but two characters, Tanya and Greg, being new, and it leads to mixed results on occasion but still a relatively entertaining season.
While “Something From Tiffany’s” has one unfortunate Holiday movie obligation, everything else about this movie will potentially make it your favorite one released this season.
While it reaches levels of ridiculous that may make you roll your eyes, you’ll be chuckling throughout all “Divorce Bait” throws at you.
In this “Be careful what you wish for” movie, “A Miracle Before Christmas” delivers a movie that’s a bit rough but watchable.
The innuendo-filled “Christmas with The Campbells” is not a family Christmas movie but could be good for the adults to watch or listen to while getting things ready or cleaning up.
“Darby and The Dead,” being yet another teen movie focused on the outcast who, with a makeover, becomes popular, sidesteps what could have made it interesting.
While the early part of “Rolling Into Christmas” is high quality, as relationship drama comes into play, things go downhill fast.
While Jenna Ortega makes a superb Wednesday, unfortunately, they put her in a world reminiscent of the “Chilling Adventures of Sabrina” with boy drama and a mediocre mystery.
Somehow, “Violent Night” finds a way to be flinch-worthy violent, consistently comical, and even stir up your emotions.
With an interesting premise that has a child giving their father a resurgence in their career, “Fantasy Football” is family-friendly and entertaining.
Masterful storyteller Trevor Noah brings the quality expected with notable accents, trying to bring a different perspective to pop culture and your usual COVID jokes.
Like many BET productions, you would be remiss to underestimate “Christmas Party Crashers” based on its name and what’s sold in the poster.
“Christmas With You,” like most Christmas movies, is just different enough to stand out thanks to embracing parts of Latin American culture.
While “The Menu” handles the pretentious characters with a certain level of comedic flair, the humor may not appeal to those who don’t find the personalities of the rich and pompous entertaining.
While the romance between the two leads is notable, the hijinks the character Bisi, played by Bisola Aiyeola goes through and exhibits, steals “Dinner at My Place.”
“Bar Fight” is a simple comedy that, while not laugh-out-loud funny, is enjoyable for the most part.
While it doesn’t have the makings of a classic, you might be surprised how much you enjoy this likable but forgettable Christmas movie.
“A Wesley Christmas,” like past BET movies, has an unexpected heart amongst your usual holiday storylines.
Dispel your skepticism as “Wednesday” is not only well cast but includes the supernatural in such a way you’ll question why isn’t it a horror release.
“Glass Onion: A Knives Out Mystery” may have a disappointing mystery, but its zany and comedic characters compensate for that.
“Lyle, Lyle Crocodile” knows what the heart of the film could be, yet it refuses to stick to it and thus becomes a forgettable movie hoping to cash in due to lack of competition.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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