Christmas Party Crashers (2022) – Review/ Summary (with Spoilers)
Like many BET productions, you would be remiss to underestimate “Christmas Party Crashers” based on its name and what’s sold in the poster.
Like many BET productions, you would be remiss to underestimate “Christmas Party Crashers” based on its name and what’s sold in the poster.
“Christmas With You,” like most Christmas movies, is just different enough to stand out thanks to embracing parts of Latin American culture.
While “The Menu” handles the pretentious characters with a certain level of comedic flair, the humor may not appeal to those who don’t find the personalities of the rich and pompous entertaining.
While the romance between the two leads is notable, the hijinks the character Bisi, played by Bisola Aiyeola goes through and exhibits, steals “Dinner at My Place.”
“Bar Fight” is a simple comedy that, while not laugh-out-loud funny, is enjoyable for the most part.
While it doesn’t have the makings of a classic, you might be surprised how much you enjoy this likable but forgettable Christmas movie.
“A Wesley Christmas,” like past BET movies, has an unexpected heart amongst your usual holiday storylines.
Dispel your skepticism as “Wednesday” is not only well cast but includes the supernatural in such a way you’ll question why isn’t it a horror release.
“Glass Onion: A Knives Out Mystery” may have a disappointing mystery, but its zany and comedic characters compensate for that.
“Lyle, Lyle Crocodile” knows what the heart of the film could be, yet it refuses to stick to it and thus becomes a forgettable movie hoping to cash in due to lack of competition.
“Entergalatic” reminds you that adult animation not only has the potential to thrive but also explore beyond graphic violence or sexual content.
“Hocus Pocus 2” might be one of the few sequels you likely didn’t ask for that is far better than expected.
“Bro” lives up to the hype and precedent it wants to set as one of the biggest gay romantic comedies, if not one of the best romantic comedies.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
While the third season of “High School Musical: The Musical: The Series” only covers two weeks, it is jam-packed with notable new characters and storylines that maintain, or improve, the series.
While “Game of Thrones” is considered Bella Ramsay’s breakout role, Birdy has given proof that Ramsay can and will have diverse stardom.
“The Resort” may not have the best payoff for its central mystery, but the relationships between the characters might save it for you.
“Goodbye, Don Glees!” is a coming-of-age story that takes longer than it should to hook you, but once it has you, you’re attentive.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“About Fate” is a cute and simple romantic comedy with minor dramatic elements that has the potential to make you swoon a bit.
“Who Invited Them” reminds you of the dangers of having a house party where anyone could step into the place you call home.
“Three Thousand Years of Longing” is mainly about a Djinn’s attempts at love and freedom over three thousand years.
“Mike” is so good that it is unfortunate that it doesn’t involve or is supported by Mike Tyson.
Season 2 of “P-Valley” does not experience a sophomore slump as it cuts away from its less interesting characters and doubles down on the ones who’d bring you down to the valley.
“Baby Assassins” has the vibe of a zany anime that got a live-action adaptation and kept the eccentricities of its cast.
In the second season of “The Ms. Pat Show,” you get what is expected, mostly in good ways, but like its first season, it doesn’t necessarily end on a high note.
“Mack and Rita” reverses the de-age trope and shows getting older is a blessing and underrated privilege.
When “Easter Sunday” strips away the fat and focuses just on the complicated dynamics families can have, it becomes a pleasure to watch.
“Bodies, Bodies, Bodies” satirical take on Gen Z/late Millennials will leave you giggling and potentially forgiving its ending.
“Bullet Train” reminds you not only of Brad Pitt’s star power but also how action at its best is done in close quarters.
“Don’t Blame Karma” is comical at times, but the romance it wishes to explore and the drama which creates the comedy and complicates the romance is disappointing.
With the star power of Angourie Rice, “Honor Society” becomes far more than a tale about a malicious overachiever trying to get the hell out of her small town.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
In this dramedy, an act of revenge becomes a lucrative business that may not test friendships but does lead to unexpected consequences.
“Anything’s Possible” is a cute love story that knows to get specific about its lead’s experience when it matters.
“Rap Sh!t” may start a little rough as the lead eclipses a lot of the show’s potential assets with her insecurities, but once her best friend does some course correction, it takes off.
In this story of teenage brotherhood, five boys band together as they struggle with cancer, an ill parent, and smaller stuff like crushes and failing grades.
While Mrs. Harris has all the charm in the world, unfortunately, dry supporting characters are too much to compensate for.
A forgettable boy meets an overwhelmingly charming woman who happens to be a vampire. Is that enough of a twist to make “Call of the Night” interesting?
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.