Lucifer: Season 5 (First Half) – Review/ Summary (with Spoilers)
The first half of Lucifer’s 5th season reminds you how procedural storylines impede greater development of characters, no matter what the show.
The first half of Lucifer’s 5th season reminds you how procedural storylines impede greater development of characters, no matter what the show.
In the final season of Trinkets you can see there was so much left to cover, but the writers salvaged what plans they could.
All Together Now will likely cause you to cry, one way or the other.
In the last play Tyler Perry portrays Madea, we get one final reminder of why, despite some controversy, Madea is a renowned figure.
Season 2 of “The Umbrella Academy” still has a villain problem, but with heading to the 60s comes a new timeline to save and blessed characters.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
“Die Hart” feels strange to watch in short clips, and with having to wait so long to see the end, it loses its luster quicker than if you got to watch all at once.
Liza Koshy & Sabrina Carpenter star in a dance movie that has a few kinks but is it overall enjoyable?
As with most Seth Rogen movies, it’s not about the comedy as much as a person challenging themselves and dealing with what is holding them back.
“Almost Love” is good enough to get you invested into the characters, but not to the point of pushing everyone you know to see it.
If you ever wanted to hear old head logic, mixed in with some of the best one-lines, “Tijuana Jackson: Purpose Over Prison” has what you need.
The introduction of “Die Hart” pushes you to understand why comedians try and need to diversify before they are no longer in on the joke.
“Yes, God, Yes” is not only probably one of the best coming of age films in a long time, but it also is one of the few teen sex comedies that doesn’t feel like a rehash.
While it’s two hour time length makes it lag in some parts, by the end of “The Kissing Booth 2,” you are left wondering when is the next one?
“A Nice Girl Like You” is a simple, likable rom-com that may not have the most memorable characters, but it’s a fun time to spend an hour and half.
“I May Destroy You” presents far more than a narrative about navigating life post being raped. It is a conversation starter with a wide range of topics.
While a breeze to watch and with good chemistry from its leads, laughs are few with “Palm Springs.”
While you might think this would have way too much ecchi to really get into, it seems there might be more than meets the eye.
“Little Voice” is an absolutely adorable show, but if you don’t already have Apple TV+, is it worth another subscription?
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.