Occurrence at Mills Creek (Short) [2019] – Summary, Review (with Spoilers)
The short for Occurrence at Mills Creek is perhaps one of the best marketing pieces for a full-length film seen in a long time.
Films in this category aren’t full-length, an hour or more, movies, but shorts.
The short for Occurrence at Mills Creek is perhaps one of the best marketing pieces for a full-length film seen in a long time.
Twist is the type of film that presents to you a horror not presented enough: Being a young woman tasked with closing down their workplace at night.
Building tension, with a decent payoff, is not common. However, Shannon Kohli and Hannah Levien find a way to do it within 12 minutes.
Despite seeming like a horror film, one which pushes you to expect the worst, Whiteout is surprisingly a really good comedy.
Featuring Trinkets star Brianna Hildebrand, Momster seems less like a short and more like an extended clip from a finished movie – in a good way.
Snaggletooth was the overall best short of the WTF series and the reason why we’re breaking out many of the top shorts from TFF 2019.
The WTF Shorts at Tribeca 2019 all live up to the collection’s title, but not all for the same reason.
In preparation for the full-length Netflix release, we checked out the See You Yesterday short available on HBO until May 1st.
The Dump keeps up the weird vibe of the rest of the anthology but decides it wants to get a bit rustic, and not in a farm life kind of way.
Good Hunting will likely be one of your favorite shorts to come out of the Love, Death + Robots anthology.
Beyond the Aquila Rift may feel like it cut the bulk of a larger story, but the way it makes you fiend for details is part of the sell.
When The Yogurt Took Over is a bit of an anomaly since it doesn’t feature love, robots, and arguably no death. So, is it good?
Sucker of Souls is quite gory and a tad bit comical. However, it is towards the bottom of the Love, Death & Robots ranking.
Cartoon graphics mix with life or death situations creating moments that make you hold your breath in Suits.
In The Witness, we get what feels like a pitch to a much more complicated movie.
Three Robots is a quirky short which ends just before it could perhaps go left and overstay its welcome.
Sonnie’s Edge, thanks to its protagonist, the monster fights, and what background we get, makes you clamor for more.
When I’ve Wanted To Die, feels like a visual summary, with an incremental update, of Anna Akana’s book released last year.
In the civil rights era, and before, it is easy to forget it was more than a Black and white issue. There were also those who didn’t fit in either box. June gives a glimpse of their story.
In this short, a young woman toils over the idea of getting back with an abusive fiancé.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.