Good Luck To You, Leo Grande (2022) – Review/ Summary (with Spoilers)
Good Luck to You, Leo Grande acts as a reminder that intimacy and vulnerability go well beyond sex and is really about allowing someone to know you beyond the physical.
Movies
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
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Master (2022) – Review/ Summary (with Spoilers)
Master for PWI may have the same effect that Get Out had on Black man/White woman relationships.
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The Tiger Rising (2022) – Review/ Summary (with Spoilers)
With a strong focus on children needing the ability to meaningfully express themselves and find comfort, The Tiger Rising allows its young leads to exhibit notable performances.
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After Yang (2022) – Review/ Summary (with Spoilers)
When not paired with action, drama, or being an adventure, sci-fi is a tough sell, and After Yang shows why.
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Emergency (2022) – Review/ Summary (with Spoilers)
Emergency taps into that innate feeling many Black Americans have about getting involved with certain people who automatically lead to suspicion and the police.
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The Royal Treatment (2022) – Review/ Summary (with Spoilers)
New York Italians, mean French women, references to Aldovia and romance – The Royal Treatment is a fun new entry in Netflix’s Aldovia franchise.
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Stop-Zemlia (2022) – Review/ Summary (with Spoilers)
In Stop-Zemlia, it feels like you learn so much yet so little, but considering the constant shifts in friendships and self-image as a teenager, it is almost fitting.
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The Free Fall (2022) – Review/ Summary (with Spoilers)
At times confusing, but often disturbing, The Free Fall is a horror movie best watched at night and alone.
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Scattered (2022) – Review/ Summary (with Spoilers)
While Scattered is a straightforward thriller, which gives everything away in the trailer, it is nonetheless entertaining.
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Scream (2022) – Review/ Summary (with Spoilers)
Despite a level of self-awareness that all may not enjoy, Scream does act as an excellent reminder on why only the horror genre can get away with “requels.”
