Totally Killer (2023) – Review and Summary
“Totally Killer,” as its title implies, is a fun horror movie to watch but ultimately is more content to consume than a new movie to put into your annual Halloween rotation.
Movies
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
-
-
Foe (2023) – Review and Summary
Like many Sci fi dramas, especially those lacking action, “Foe” is dry and even with its twist, passable.
-
The Royal Hotel (2023) – Review and Summary
“The Royal Hotel” pushes you to asks questions, especially regarding perception, over be entertained.
-
The Boy and the Heron (2023) – Review and Summary
Miyazaki’s latest is as beautiful, if not more, than his last. However, it is by no means the type of character driven tales he is known for.
-
Nightmare (2023) – Review and Summary
Kjersti Helen Rasmussen’s “Nightmare” creates a creepy atmosphere, but has a more sleepy than scary execution.
-
Nowhere (2023) – Review and Summary
Netflix’s Spanish-language survival movie “Nowhere” is a great showcase for Anna Castillo, but a familiar story that doesn’t live up to its dystopian premise.
-
SaW X (2023) – Review and Summary
“SaW X” brings back John and Amanda and tries to milk them both for every last bit of nostalgia possible while failing to realize the franchise has rightfully moved on from them.
-
The Kill Room (2023) – Review and Summary
“The Kill Room” gives what is expected from Tarantino alumnus Uma Thurman and Samuel L. Jackson in a forgettable but likable crime comedy.
-
Love & Murder: Atlanta Playboy – Part 2 (2023) – Review and Summary
Part 2 of “Love & Murder: Atlanta Playboy” focuses on the murder investigation and with Taye Diggs in it less, it means more drama from the caricatures of Lance’s past lovers.
-
The Creator (2023) – Review and Summary
As emotionally stirring as it is beautiful, “The Creator” presents the worst case scenario for humanity’s relationship with robots in such a way that the film has the potential to be seen as a modern classic at best or underrated at worse.
