How the Gringo Stole Christmas (2023) – Review
“How the Gringo Stole Christmas” is a prime example of how not to shoot a comedy.
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“How the Gringo Stole Christmas” is a prime example of how not to shoot a comedy.
“Surprised By Oxford” pushes you to recognize it as a romance film, but without having the lead obsessed with the idea of finding love.
“How I Learned To Fly” is weighed down by focusing heavily on the struggles of its lead characters for too long before giving us a silver lining, levity, or some sign things are going to get better.
“Monster,” as it shifts perspectives from one character to the next, pushes you to ask who the real monster of this story is.
While “Family Switch” hits all the familiar beats of a body swap comedy, it still has enough heart to get you pass the expected results.
Eddie Murphy has his first, surprisingly, holiday movie, and between Jillian Bell and Chris Redd, you’ll find yourself laughing with the kids in the room too.
Let the “The Holdovers” be your family in what’s possibly my favorite movie this year.
“American Fiction” may not have anything new to say with its social commentary about media, but it still is able to deliver laughs, touching moments, and a handful of frustration.
In this holiday movie definitely just made for the adults, after feeling neglected by her husband, Mrs. Claus decides to head to Miami and let her friend potentially push her to do the unthinkable.
Christopher B. Stokes, with Marques Houston, bring you another film in their wheelhouse focused on cheating, secrets, and revenge.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.