The Turning (2020) – Review, Summary (with Spoilers)
“The Turning” may have creepy kids, but the jump scares are weak and the ending… well…
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
“The Turning” may have creepy kids, but the jump scares are weak and the ending… well…
“Troop Zero” will have you ugly cry in the way Viola Davis is famous for as you follow Christmas Flint’s journey to becoming permanent.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
While you have to appreciate the sense of ownership, value, and advocacy “Jezebel” presents when it comes to Black bodies, it’s not the most entertaining thing to watch.
Despite the time gap and this being the third entry into the franchise, “Bad Boys For Life” brings you what you’d want, what you’d expect, but not much more.
“Weathering With You” like “Your Name.” plays with your emotions, skips certain details, but is ultimately worth the price to see.
“Underwater” wants to be an emotional and action-packed action film, but it fails too often and its villain is underdeveloped.
Between a man with Alzheimer’s trying to see his first love and his granddaughter who keeps the core family together, you will be in your emotions.
“Ana” is a cute movie that further proves Dafne Keen, of “Logan” and “His Dark Materials” fame, is likely to be first billing for decades to come.
Like “Rings,” the “SaW” remake, and so many other horror franchises that reboots were attempted for, “The Grudge” seems like it shouldn’t have been made.
“Always A Bridesmaid” is everything you could want and more from a romance film.
Somehow an hour and 19-minute film feels so much longer by means that is hard to explain, but we’re going to try.
Spies In Disguise may come off like a kid’s movie, but luckily it remembers who is the person paying for the tickets.
For those who are fans of the Viziepop demon motif, something a bit more child-friendly is released – if your children are into monsters.
Greta Gerwig, Saoirse Ronan, and Timothée Chalamet prove themselves to be a formidable trio and a grouping we should expect for decades to come.
It really is a shame A Rainy Day In New York will struggle to find distribution in the US. For while not Allen’s best work, it is still entertaining.
In what is supposed to be the final film of the Skywalker saga, you get something casual fans may enjoy more than the hardcore ones who never liked this trilogy.
Cherry Tobacco pursues the rarely trodden path of having a young woman and older man with feelings for each other, without feeling exploitative.
Michael Bay’s love for explosions and expensive action scenes mixed with Ryan Reynolds’ humor is a match made in big-budget heaven.
Black Christmas works on multiple levels. It operates as a fairly feminist film, and its incel-like villains produce a decent amount of jump scares.
Jumanji: The Next Level’s desire to go beyond being a fun action-adventure, and have some form of emotional depth, makes its 2-hour run-length a drag.
Hair Love is a nod to those who have kinky, curly hair, and those who help them looking cute.
Into The Dark: A Nasty Piece of Work is likely one of the best entries into the series in a long time.
With Waves, A24 continues to solidify that if it is the distributor, you will get more than a movie or show but an experience that will stay with you after the credits roll.
In Hala, a young woman faces a conflict between her parents, her upbringing, her heart, and control of her future.
Once the film tones down the “Take Down The Patriarchy!” talk, you get a decent holiday movie with lots of awkward relationships and some cringey moments.
Same Time, Next Christmas is a shockingly good romance film, featuring childhood sweethearts.
Teslafy Me explores the life of one of the 20th Century’s greatest inventors, and a forgotten genius – partly thanks to Thomas Edison.
Dead Kids is probably the most vulgar and violent Filipino movie featuring teens you may ever see – and it isn’t half bad.
The Christmas Prince series continues and remains perhaps one of the best holiday traditions of the modern age.
I Lost My Body is a sight to behold, but when it comes to the story, you may not feel it gives you what you desire.
Holiday Rush just as much will get you into the holiday mood, as it may push you to recognize the people who helped you make it to the end of the year.
Twisted Ambitions reminds you a college education doesn’t keep you from being an idiot or manipulated.
Queen & Slim shows we are truly in a golden age when it comes to media focused on Black lives made by Black people.
Fiddlin’ presents a good introduction to bluegrass music and gives you an idea of its current state and how it continues to thrive.
Turkey Drop is fun, dramatic, romantic at times, and one of the few films that doesn’t skip over Thanksgiving.
Age Out is the kind of film which throws everything and the kitchen sink at its lead, making you wish it dialed back just a little bit.
Carole’s Christmas has a nearly perfect mix of cheesy, but cute, relationships, mixed with the unfortunate realities many people go through.
Brother (Mon frère) is far more appealing in the trailer than the actual film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.