Love Is Blind (2019) – Review, Summary with Spoilers
Um, “Love Is Blind,” the movie not the TV show, is mid-level “What did I just watch?” Specifically in a, “Am I supposed to find this funny?” kind of way.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Um, “Love Is Blind,” the movie not the TV show, is mid-level “What did I just watch?” Specifically in a, “Am I supposed to find this funny?” kind of way.
“Valley Girl” is a fun teen movie with 80s flair, music, and a simple, but likable, romance – ruined by bland characters.
“18 Presents” or “18 Regali” is an ode to those who lost their mothers and need an excuse to cry.
“Into The Dark: Delivered” is frustrating as hell to watch, but can be a good time if you know someone who provides funny movie commentary.
Alongside present the best argument for reading the book of the same name, “Becoming” reminds and informs you why Michelle Obama broke the mold as First Lady.
“All Day And A Night” might become a classic considering how it explores the downfall of a young man who lives up to the legacy his father left behind.
“The Half of It” brings a positive spin on small-town America, while still pushing how getting out of your comfort zone is necessary to grow.
Twist, turns, backstabbings, gunshots and more, all allow “Dangerous Lies” to not be the best film out there, but entertaining.
“The Willoughbys,” in it exploring 4 kids with parents worse than Matilda’s, eventually warms your heart and may make you shed a Denzel in “Glory” tear.
Thanks to savvy lawyers, justice has become ambiguous compared to how it used to be. However, someone decides enough is enough, and some people should die.
For those who like violence, with a touch of comedy, “Why Don’t You Just Die” was made for your viewing pleasure
“Selah and the Spades” begs for a revival as a series as it tries to cram so much into one experience.
“Straight Up” explores the difficulty of fitting a sexuality label when the heart wants what it wants.
With more than meets the eye, “She Never Died” moves beyond the violence as it pursues a redemption story.
While “My Spy” is not as kid-friendly as it appears, it is likely one of the funniest movies, featuring a juvenile, you’ve seen in a while.
“Code 8” gives a pleasant alternative to what the Marvel/DC brand has saturated the market with when it comes to superpowered humans.
“Tigertail” gives you an understanding of the sacrifices immigrants make for what they think will make them happy, and how that affects the generations that come after. Director(s) Alan Yang Screenplay By Alan Yang Date Released (Netflix) 4/10/2020 Genre(s) Drama, Romance, Non-English Duration 1 Hour, 31 Minutes Rating PG Noted Cast Pin Jui (Grover) Tzi…
For those who have watched the first season of “Fleabag,” the live rendition is a treat. However, if they haven’t, you may wonder what the hype is about.
Operating on a level of cringe that will make it either hilarious or off=putting, “Love Wedding Repeat” surely isn’t for everyone.
Outside of a short time gap, “Banana Split” is an exploration of female intimacy in both sisterhood and friendships.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
“Coffee and Kareem” is definitely something mad for those who don’t mind kids cursing or being part of, or around, violent, and sexual, situations for laughs.
“Sincerely Louis CK” is what comes from feeling you have nothing left to lose, so “F*** It.”
“Freshman Year” avoids being heavy-handed or eye-roll-inducing about faith. Rather, it approaches a young man’s faith, and decisions, with a realistic tone.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
“Pretty Little Stalker” will keep you engaged throughout its time length, but I can’t say it should be high up on your watchlist.
“Trixie Mattel: Moving Parts” will remind you of a time when documentaries gave you the behind the scenes look that social media snatched away.
“Uncorked,” sidesteps the usual dealings caused by poverty and racism to explore its leads’ father/son relationship, to sometimes mixed results.
While “Go Back To China” may come off as some silly or light-hearted, as it touches upon Chinese culture and family, it goes so deeper than expected.
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
“Stargirl” in depicting what happens when you allow yourself to be what others want, brings about one of the best family appropriate live-action films from Disney in ages.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
While not the best bit of social commentary you may hear, “The Hunt” is comical and has one of the best fight scenes you may have seen in a while.
Like the majority of Vin Diesel movies, “Bloodshot” is more so about style than substance. Yet, is still entertaining as hell.
“I Still Believe” with its tear-inducing story will make it so, even if you aren’t a person of faith, you’ll get why some hold onto theirs so tightly – despite it all.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
Between seemingly exploiting its lead having Asperger’s to an uninspiring mystery, “The Night Clerk” struggles.
In this coming of age tale, everything is about that one chance to make it and if things don’t come together, the worst happening.
“Violet Evergarden I: Eternity and the Auto Memory Doll” reminds you no matter how much time has passed, you can still be strongly affected by a well-developed character.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.