Infamous (2020) – Review/ Summary with Spoilers
If a fan of Bella Thorne, you’ll see she is in her element when it comes to playing Arielle in “Infamous.”
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
If a fan of Bella Thorne, you’ll see she is in her element when it comes to playing Arielle in “Infamous.”
Unfortunately, it takes “The King of Staten Island” almost an hour, out of 2, to be all that you expected and hoped it would be.
While the central relationship between leads is as cute as can be, the adults who they investigate might be a bit much depending on the family watching.
“365 Days” tries to make Stockholm syndrome sexy and ends up just making a big-budget soft-core porn.
Mix “Home Alone” with “Hanna” and a little bit of Hit-Girl from “Kick-Ass,” and you get the sometimes shockingly violent “Becky.”
While “The Healer” isn’t made to withstand scrutiny, it is an entertaining film to watch while in quarantine.
If you like your horror slow churning, not reliant on gore, but still may not be the best to watch at night, “Our House” could do the trick.
On top of making you question why Tracee Ellis Ross isn’t a movie star, you’ll be SO MAD you likely won’t get to see this in theaters.
“#FriendButMarried” is a long, arduous movie to watch, that somehow drains anything and everything cute out of its central relationship.
“Ne Zha” shows why it was a massive hit in China with its top-notch animation, emotional story, and its ambiguity of good and evil.
“Inheritance” may not be a fast-paced thriller, but it will still give you the kind of ending that’ll make your eyes blare and jaw drop.
With the spin of grief manifesting itself, “Body Cam” explores police brutality and the conflicting emotions of a Black female officer.
Issa Rae and Kumail Nanjiani are well paired in “The Lovebird” as their brands of awkward collide and create a chaotic romance.
Taking note of its criminal element, it’s ultimately the love we see blossom or renewed, that drives “Last Moment of Clarity.”
“All For Nikki,” as it goes from one bad situation to the next, goes on and on until it seemingly runs out of ideas.
It’s unfortunate “Scoob!” couldn’t be seen in theaters, for it might be one of the first Scooby-Doo movies in a while which deserved a theatrical release.
How much you may enjoy this movie all depends on whether you like outrageous characters who don’t limit themselves for the comfort of others.
Between flinch worthy violence, Terry Crews and Ken Foree, alongside a handful of jokes, there is more good to say about “John Henry” than bad.
Um, “Love Is Blind,” the movie not the TV show, is mid-level “What did I just watch?” Specifically in a, “Am I supposed to find this funny?” kind of way.
“Valley Girl” is a fun teen movie with 80s flair, music, and a simple, but likable, romance – ruined by bland characters.
“18 Presents” or “18 Regali” is an ode to those who lost their mothers and need an excuse to cry.
“Into The Dark: Delivered” is frustrating as hell to watch, but can be a good time if you know someone who provides funny movie commentary.
Alongside present the best argument for reading the book of the same name, “Becoming” reminds and informs you why Michelle Obama broke the mold as First Lady.
“All Day And A Night” might become a classic considering how it explores the downfall of a young man who lives up to the legacy his father left behind.
“The Half of It” brings a positive spin on small-town America, while still pushing how getting out of your comfort zone is necessary to grow.
Twist, turns, backstabbings, gunshots and more, all allow “Dangerous Lies” to not be the best film out there, but entertaining.
“The Willoughbys,” in it exploring 4 kids with parents worse than Matilda’s, eventually warms your heart and may make you shed a Denzel in “Glory” tear.
Thanks to savvy lawyers, justice has become ambiguous compared to how it used to be. However, someone decides enough is enough, and some people should die.
For those who like violence, with a touch of comedy, “Why Don’t You Just Die” was made for your viewing pleasure
“Selah and the Spades” begs for a revival as a series as it tries to cram so much into one experience.
“Straight Up” explores the difficulty of fitting a sexuality label when the heart wants what it wants.
With more than meets the eye, “She Never Died” moves beyond the violence as it pursues a redemption story.
While “My Spy” is not as kid-friendly as it appears, it is likely one of the funniest movies, featuring a juvenile, you’ve seen in a while.
“Code 8” gives a pleasant alternative to what the Marvel/DC brand has saturated the market with when it comes to superpowered humans.
“Tigertail” gives you an understanding of the sacrifices immigrants make for what they think will make them happy, and how that affects the generations that come after. Director(s) Alan Yang Screenplay By Alan Yang Date Released (Netflix) 4/10/2020 Genre(s) Drama, Romance, Non-English Duration 1 Hour, 31 Minutes Rating PG Noted Cast Pin Jui (Grover) Tzi…
For those who have watched the first season of “Fleabag,” the live rendition is a treat. However, if they haven’t, you may wonder what the hype is about.
Operating on a level of cringe that will make it either hilarious or off=putting, “Love Wedding Repeat” surely isn’t for everyone.
Outside of a short time gap, “Banana Split” is an exploration of female intimacy in both sisterhood and friendships.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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