The Babysitter: Killer Queen (2020) – Review/ Summary (with Spoilers)
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
While it does follow the usual romantic comedy conventions, between Viswanathan as lead, and the multiple scene-stealing supporting cast, you’ll love The Broken Hearts Gallery.
The Owners is strange in so many ways, but not enough to scare you, creep you out, or be notable.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
I want you to imagine a documentary in which the subject goes out of their way to go against everything agreed upon and is hellbent on chaos. That’s DTF.
If you don’t have a compromised immune system and the people in your community aren’t reckless, Words on Bathroom Walls is the perfect reason to head back to theaters.
Love, Guaranteed, starring Damon Wayans Jr. and Rachel Leigh Cook, may not become anyone’s go-to romantic comedy, but it’ll undoubtedly be in Netflix’s top 10 for a few weeks.
Freaks – You’re One of Us lays the groundwork for a potential superhero franchise, just on a smaller scale than what we often see.
All Roads to Pearla has all the ingredients necessary to have some element of shock to it, but they just don’t come together as you need them to.
The Argument tries to have it both ways. It wants you to watch it devolve into utter madness yet maintain just enough control to make you laugh as you cringe.
All Together Now will likely cause you to cry, one way or the other.
In the last play Tyler Perry portrays Madea, we get one final reminder of why, despite some controversy, Madea is a renowned figure.
While the banter and romance between the leads will surely draw you in, the conversations about art, and the male lead’s ego, do leave you on a sour note.
Chemical Hearts is draining, in the best way, as it takes you through the emotional toll of not just healing, but shedding your childhood and expectations.
The Spring We Never Had is classic Wong Fu which gets you so emotionally invested that when things don’t head towards the ideal, you will yell at your screen.
While Skin: A History of Nudity In The Movies is informative, it’s utter lack of perspective for people of color, beyond Pam Grier, is a HUGE oversight.
You’ll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.
Netflix has released a new action movie, with people who can become superheroes! But, is it all big-budget visual effects or something more?
Is “An Easy Girl” yet another coming of age film that is formulaic and lacks a standout feature? Read on to find out.
While “The Tax Collector” may give you your fix if you’re looking for a violent movie, it doesn’t have much else to offer.
Yet another adaptation of “The Secret Garden” has arrived! But, is this one worth watching?
Liza Koshy & Sabrina Carpenter star in a dance movie that has a few kinks but is it overall enjoyable?
While Jenny Slate’s character finds herself a pleasant and relatable wakeup call, all that happens around her may lead to a raised eyebrow or indifference.
As with most Seth Rogen movies, it’s not about the comedy as much as a person challenging themselves and dealing with what is holding them back.
“Almost Love” is good enough to get you invested into the characters, but not to the point of pushing everyone you know to see it.
“Black Is King” belongs in the National Museum of African American History and Culture, and is another example of Beyoncé setting hard to follow precedents.
If you ever wanted to hear old head logic, mixed in with some of the best one-lines, “Tijuana Jackson: Purpose Over Prison” has what you need.
In this over two hour epic, you watch a young man play the long game in ways that will stun you and leave you thinking, “It can’t end like this?”
While the idea of a period drama may lead you to worry about boredom, the often-prickly character Alice keeps things lively in “Summerland.”
“Yes, God, Yes” is not only probably one of the best coming of age films in a long time, but it also is one of the few teen sex comedies that doesn’t feel like a rehash.
While it’s two hour time length makes it lag in some parts, by the end of “The Kissing Booth 2,” you are left wondering when is the next one?
Thanks to a series of rather strange events, “Liza, Liza, Skies are Grey” loses its chance to be a cute teen romance.
“A Nice Girl Like You” is a simple, likable rom-com that may not have the most memorable characters, but it’s a fun time to spend an hour and half.
“Fatal Affair” is tame, predictable, and lacks any sort of chemistry between its lead actress and her co-stars.
“Boogie’s Comedy Slam,” produced by DeMarcus Cousins, will even make a stone-faced, hard-sell laugh.
While a breeze to watch and with good chemistry from its leads, laughs are few with “Palm Springs.”
“The Old Guard” gives you the summer blockbuster you’d expect to see in theaters from the comfort of your home.
“Only” is a sci-fi drama, with a small cast, that is less about entertaining its audience and more about trying to use the sci-fi element for a bait and switch.
“10 Things We Should Do Before We Break Up” is an odd romantic drama in which a woman mulls an abortion or turning a one night stand into a lifetime commitment.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.